Atlas Shrugged [495]
"No," said Galt firmly.
She saw Francisco watching him with a faint, puzzled frown-because Galt had said it, looking, not at him, but at her.
The emotional sum that struck her as an immediate impression of Francisco's house, when she entered it for the first time, was not the sum she had once drawn from the sight of its silent, locked exterior. She felt, not a sense of tragic loneliness, but of invigorating brightness. The rooms were bare and crudely simple, the house seemed built with the skill, the decisiveness and the impatience typical of Francisco; it looked like a frontiersman's shanty thrown together to serve as a mere springboard for a long flight into the future-a future where so great a field of activity lay waiting that no time could be wasted on the comfort of its start. The place had the brightness, not of a home, but of a fresh wooden scaffolding erected to shelter the birth of a skyscraper.
Francisco, in shirt sleeves, stood in the middle of his twelve-foot square living room, with the look of a host in a palace. Of all the places where she had ever seen him, this was the background that seemed most properly his. Just as the simplicity of his clothes, added to his bearing, gave him the air of a superlative aristocrat, so the crudeness of the room gave it the appearance of the most patrician retreat; a single royal touch was added to the crudeness: two ancient silver goblets stood in a small niche cut in a wall of bare logs; their ornate design had required the luxury of some craftsman's long and costly labor, more labor than had gone to build the shanty, a design dimmed by the polish of more centuries than had gone to grow the log wall's pines. In the midst of that room, Francisco's easy, natural manner had a touch of quiet pride, as if his smile were silently saying to her: This is what I am and what I have been all these years.
She looked up at the silver goblets.
"Yes," he said, in answer to her silent guess, "they belonged to Sebastian d'Anconia and his wife. That's the only thing I brought here from my palace in Buenos Aires. That, and the crest over the door.
It's all I wanted to save. Everything else will go, in a very few months now." He chuckled. "They'll seize it, all of it, the last dregs of d'Anconia Copper, but they'll be surprised. They won't find much for their trouble. And as to that palace, they won't be able to afford even its heating bill."
"And then?" she asked. "Where will you go from there?"
"I? I will go to work for d'Anconia Copper."
"What do you mean?"
"Do you remember that old slogan: "The king is dead, long live the king'? When the carcass of my ancestors' property is out of the way, then my mine will become the young new body of d'Anconia Copper, the kind of property my ancestors had wanted, had worked for, had deserved, but had never owned."
"Your mine? What mine? Where?"
"Here," he said, pointing toward the mountain peaks. "Didn't you know it?"
"No."
"I own a copper mine that the looters won't reach. It's here, in these mountains. I did the prospecting, I discovered it, I broke the first excavation. It was over eight years ago. I was the first man to whom Midas sold land in this valley. I bought that mine. I started it with my own hands, as Sebastian d'Anconia had started. I have a superintendent 77!
in charge of it now, who used to be my best metallurgist in Chile.
The mine produces all the copper we require. My profits are deposited at the Mulligan Bank. That will be all I'll have, a few months from now. That will be all I'll need."
-to conquer the world, was the way his voice sounded on his last sentence-and she marveled at the difference between that sound and the shameful, mawkish tone, half-whine, half-threat, the tone of beggar and thug combined, which the men of their century had given to the word "need."
"Dagny," he was saying, standing at the window, as if looking out at the peaks, not of mountains, but of time, "the rebirth of d'Anconia Copper-and of the world-has to start here, in the United