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By Root 4981 0

same thought, though neither of them admitted that he was thinking it. Orren Boyle half-told himself that he was looking for the faces of friends, and Bertram Scudder suggested to himself that he was gathering material for an article. But both, unknown to each other, were drawing a mental chart of the faces they saw, classifying them under two headings which, if named, would have read: “Favor” and “Fear.” There were men whose presence signified a special protection extended to James Taggart, and men whose presence confessed a desire to avoid his hostility—those who represented a hand lowered to pull him up, and those who represented a back bent to let him climb. By the unwritten code of the day, nobody received or accepted an invitation from a man of public prominence except in token of one or the other of these motives. Those in the first group were, for the most part, youthful; they had come from Washington. Those in the second group were older; they were businessmen.

Orren Boyle and Bertram Scudder were men who used words as a public instrument, to be avoided in the privacy of one’s own mind. Words were a commitment, carrying implications which they did not wish to face. They needed no words for their chart; the classification was done by physical means: a respectful movement of their eyebrows, equivalent to the emotion of the word “So!” for the first group—and a sarcastic movement of their lips, equivalent to the emotion of “Well, well!” for the second. One face blew up the smooth working of their calculating mechanisms for a moment: when they saw the cold blue eyes and blond hair of Hank Rearden, their muscles tore at the register of the second group in the equivalent of “Oh, boy!” The sum of the chart was an estimate of James Taggart’s power. It added up to an impressive total.

They knew that James Taggart was fully aware of it, when they saw him moving among his guests. He walked briskly, in a Morse code pattern of short dashes and brief stops, with a manner of faint irritation, as if conscious of the number of people whom his displeasure might worry. The hint of a smile on his face had a flavor of gloating—as if he knew that the act of coming to honor him was an act that disgraced the men who had come; as if he knew and enjoyed it.

A tail of figures kept trailing and shifting behind him, as if their function were to give him the pleasure of ignoring them. Mr. Mowen flickered briefly among the tail, and Dr. Pritchett, and Balph Eubank. The most persistent one was Paul Larkin. He kept describing circles around Taggart, as if trying to acquire a suntan by means of an occasional ray, his wistful smile pleading to be noticed.

Taggart’s eyes swept over the crowd once in a while, swiftly and furtively, in the manner of a prowler’s flashlight; this, in the muscular shorthand legible to Orren Boyle, meant that Taggart was looking for someone and did not want anyone to know it. The search ended when Eugene Lawson came to shake Taggart’s hand and to say, his wet lower lip twisting like a cushion to soften the blow, “Mr. Mouch couldn’t come, Jim, Mr. Mouch is so sorry, he had a special plane chartered, but at the last minute things came up, crucial national problems, you know.” Taggart stood still, did not answer and frowned.

Orren Boyle burst out laughing. Taggart turned to him so sharply that the others melted away without waiting for a command to vanish.

“What do you think you’re doing?” snapped Taggart.

“Having a good time, Jimmy, just having a good time,” said Boyle. “Wesley is your boy, wasn’t he?”

“I know somebody who’s my boy and he’d better not forget it.”

“Who? Larkin? Well, no. I don’t think you’re talking about Larkin. And if it’s not Larkin that you’re talking about, why then I think you ought to be careful in your use of the possessive pronouns. I don’t mind the age classification, I know I look young for my years, but I’m just allergic to pronouns.”

“That’s very smart, but you’re going to get too smart one of these days.”

“If I do, you just go ahead and make the most of it, Jimmy. If.”

“The trouble