Autobiographies [55]
are profound, acute, subtle, and they know so well how to clothe some traditional principle in close logic, that if faith in the opposite is not quite unshakable in an artist, he must feel himself tempted to renounce his own tenets. It is surprising that in a land where industry and commerce seem to absorb all the intelligence of the people, there should be in every city and district, indeed in every village, people who are competent to discuss the arts with such high authority. The American nation counts only a century of freedom, yet it has produced a remarkable number of men of high competence in dramatic art. Those who think of tempting fortune by displaying their untried artistic gifts on the American stage, counting on the ignorance or inexperience of their audience, make a very unsafe calculation. The taste and critical faculty of that public are in their fulness of vigour. Old Europe is more bound by traditions, more weary, more blase, in her judgment, not always sincere or disinterested. In America the national pride is warmly felt, and the national artists enjoy high honour. The Americans know how to offer an exquisite hospitality, but woe to the man who seeks to impose on them! They profess a cult, a veneration, for those who practise our art, whether of their own nation or foreign, and their behaviour in the theatre is dignified. I recall one night when upon invitation I went to see a new play in which appeared an actor of reputation. The play was not liked, and from act to act I noticed that the house grew more and more scanty, like a faded rose which loses its petals one by one, until at the last scene my box was the only one which remained occupied. I was more impressed by this silent demonstration of hostility than I should have been if the audience had made a tumultuous expression of its disapproval. The actors were humiliated and confounded, and as the curtain fell an instinctive sentiment of compassion induced me to applaud.
IMPRESSIONS OF EDWIN BOOTH
The celebrated actor Edwin Booth was at this time in Baltimore, a city distant two hours from the capital. I had heard so much about this superior artist that I was anxious to see him, and on one of my off nights I went to Baltimore with my impresario's agent. A box had been reserved for me without my knowledge, and was draped with the Italian colours. I regretted to be made so conspicuous, but I could not fail to appreciate the courteous and complimentary desire to do me honour shown by the American artist. It was only natural that I should be most kindly influenced toward him, but without the courtesy which predisposed me in his favour he would equally have won my sympathy by his attractive and artistic lineaments, and his graceful and well-proportioned figure. The play was "Hamlet." This part brought him great fame, and justly; for in addition to the high artistic worth with which he adorned it, his elegant personality was admirably adapted to it, His long and wavy hair, his large and expressive eye, his youthful and flexible movements, accorded perfectly with the ideal of the young prince of Denmark which now obtains everywhere. His splendid delivery, and the penetrating philosophy with which he informed his phrases, were his most remarkable qualities. I was so fortunate as to see him also as Richelieu and Iago, and in all three of these parts, so diverse in their character I found him absolutely admirable. I cannot say so much for his Macbeth, which I saw one night when passing through Philadelphia. The part seemed to me not adapted to his nature. Macbeth was an ambitious man, and Booth was not. Macbeth had barbarous and ferocious instincts, and Booth was agreeable, urbane, and courteous. Macbeth destroyed his enemies traitorously--did this even to gain possession of their goods--while Booth was noble, lofty-minded, and generous of his wealth. It is thus plain that however much art he might expend, his nature rebelled against his portrayal of that personage, and he could never hope to transform himself into the ambitious,
IMPRESSIONS OF EDWIN BOOTH
The celebrated actor Edwin Booth was at this time in Baltimore, a city distant two hours from the capital. I had heard so much about this superior artist that I was anxious to see him, and on one of my off nights I went to Baltimore with my impresario's agent. A box had been reserved for me without my knowledge, and was draped with the Italian colours. I regretted to be made so conspicuous, but I could not fail to appreciate the courteous and complimentary desire to do me honour shown by the American artist. It was only natural that I should be most kindly influenced toward him, but without the courtesy which predisposed me in his favour he would equally have won my sympathy by his attractive and artistic lineaments, and his graceful and well-proportioned figure. The play was "Hamlet." This part brought him great fame, and justly; for in addition to the high artistic worth with which he adorned it, his elegant personality was admirably adapted to it, His long and wavy hair, his large and expressive eye, his youthful and flexible movements, accorded perfectly with the ideal of the young prince of Denmark which now obtains everywhere. His splendid delivery, and the penetrating philosophy with which he informed his phrases, were his most remarkable qualities. I was so fortunate as to see him also as Richelieu and Iago, and in all three of these parts, so diverse in their character I found him absolutely admirable. I cannot say so much for his Macbeth, which I saw one night when passing through Philadelphia. The part seemed to me not adapted to his nature. Macbeth was an ambitious man, and Booth was not. Macbeth had barbarous and ferocious instincts, and Booth was agreeable, urbane, and courteous. Macbeth destroyed his enemies traitorously--did this even to gain possession of their goods--while Booth was noble, lofty-minded, and generous of his wealth. It is thus plain that however much art he might expend, his nature rebelled against his portrayal of that personage, and he could never hope to transform himself into the ambitious,