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Ayala's Angel [141]

By Root 4154 0
the mode of life that was congenial to him. But having been thus, as it were, cast off by his father, he had resolved that it behoved him to depend only on himself. In the matter of his love he was specially prone to be indignant and independent. No one had a right to dictate to him, and he would follow the dictation of none. To Lucy alone did he acknowledge any debt, and to her he owed everything. But even for her sake he could not condescend to accept Sir Thomas's money, and with his money his advice. Lucy had begged him in her letter to tell everything to her uncle. He would tell Sir Thomas everything as to his income, his prospects, and his intentions, because Sir Thomas as Lucy's uncle would be entitled to such information. But he thought it very improbable that he should accept any counsel from Sir Thomas.

Such being the condition of Hamel's mind it was to be feared that but little good would come from his visit to Lombard Street. Lucy had simply thought that her uncle, out of his enormous stores, would provide an adequate income. Hamel thought that Sir Thomas, out of his enormous impudence, would desire to dictate everything. Sir Thomas was, in truth, anxious to be good-natured, and to do a kindness to his niece; but was not willing to give his money without being sure that he was putting it into good hands.

"Oh, you're Hamel," said a young man to him, speaking to him across the counter in the Lombard Street office. This was Tom, who, as the reader will remember, had not yet got into his trouble on account of the policeman.

Tom and Hamel had never met but once before, for a few moments in the Coliseum at Rome, and the artist, not remembering him, did not know by whom he was accosted in this familiar manner. "That is my name, Sir," said Hamel. "Here is my card. Perhaps you will do me the kindness to take it to Sir Thomas Tringle." "All right, old fellow; I know all about it. He has got Puxley with him from the Bank of England just at this moment. Come through into this room. He'll soon have polished off old Puxley." Tom was no more to Hamel than any other clerk, and he felt himself to be aggrieved; but he followed Tom into the room as he was told, and then prepared to wait in patience for the convenience of the great man. "So you and Lucy are going to make a match of it," said Tom.

This was terrible to Hamel. Could it be possible that all the clerks in Lombard Street talked of his Lucy in this way, because she was the niece of their senior partner? Were all the clerks, as a matter of course, instructed in the most private affairs of the Tringle family? "I am here in obedience to directions from Sir Thomas," said Hamel, ignoring altogether the impudent allusion which the young man had made.

"Of course you are. Perhaps you don't know who I am?"

"Not in the least," said Hamel.

"I am Thomas Tringle, junior," said Tom, with a little accession of dignity.

"I beg your pardon; I did not know," said Hamel.

"You and I ought to be thick", rejoined Tom, "because I'm going in for Ayala. Perhaps you've heard that before?"

Hamel had heard it and was well aware that Tom was to Ayala an intolerable burden, like the old man of the sea. He had heard of Tom as poor Ayala's pet aversion -- as a lover not to be shaken off though he had been refused a score of times. Ayala was to the sculptor only second in sacredness to Lucy. And now he was told by Tom himself that he was -- "going in for Ayala". The expression was so distressing to his feelings that he shuddered when he heard it. Was it possible that anyone should say of him that he was "going in" for Lucy? At that moment Sir Thomas opened the door, and grasping Hamel by the hand led him away into his own sanctum.

"And now, Mr Hamel," said Sir Thomas, in his cheeriest voice, "how are you?" Hamel declared that he was very well, and expressed a hope that Sir Thomas was the same. "I am not so young as I was, Mr Hamel. My years are heavier and so is my work. That's the worst of it. When one is young and strong one very often hasn't enough to do.
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