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Ayala's Angel [47]

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that. Mother and the girls were all against us."

"They weren't against me," said Ayala.

"They were against our being married, and so they squeezed you out as it were. That is why you have been sent to this place. But they understand me now, and know what I am about. They have all given their consent, and the governor has promised to be liberal. When he says a thing he'll do it. There will be lots of money."

"I don't care a bit about money," said Ayala, fiercely.

"No more do I -- except only that it is comfortable. It wouldn't do to marry without money -- would it?"

"It would do very well if anybody cared for anybody." The Angel of Light generally appeared in forma pauperis, though there was always about him a tinge of bright azure which was hardly compatible with the draggle-tailed hue of everyday poverty.

"But an income is a good thing, and the governor will come down like a brick."

"The governor has nothing to do with it. I told you before that it is all nonsense. If you will only go away and say nothing about it I shall always think you very good-natured."

"But I won't go away," said Tom speaking out boldly. "I mean to stick to it. Ayala, I don't believe you understand that I am thoroughly in earnest."

"Why shouldn't I be in earnest, too?"

"But I love you, Ayala. I have set my heart upon it. You don't know how well I love you. I have quite made up my mind about it."

"And I have made up my mind."

"But, Ayala -- " Now the tenor of his face changed, and something of the look of a despairing lover took the place of that offensive triumph which had at first sat upon his brow. "I don't suppose you care for any other fellow yet."

There was the Angel of Light. But even though she might be most anxious to explain to him that his suit was altogether impracticable she could say nothing to him about the angel. Though she was sure that the angel would come, she was not certain that she would ever give herself altogether even to the angel. The celestial castle which was ever being built in her imagination was as yet very much complicated. But had it been ever so clear it would have been quite impossible to explain anything of this to her cousin Tom. "That has nothing to do with it," she said.

"If you knew how I love you!" This came from him with a sob, and as he sobbed he went down before her on his knees.

"Don't be a fool, Tom -- pray don't. If you won't get up I shall go away. I must go away. I have heard all that there is to hear. I told them that there is no use in your coming."

"Ayala!" with this there were veritable sobs.

"Then why don't you give it up and let us be good friends?"

"I can't give it up. I won't give it up. When a fellow means it as I do he never gives it up. Nothing on earth shall make me give it up. Ayala, you've got to do it, and so I tell you." "Nobody can make me," said Ayala, nodding her head, but somewhat tamed by the unexpected passion of the young man.

"Then you won't say one kind word to me?"

"I can't say anything kinder."

"Very well. Then I shall go away and come again constantly till you do. I mean to have you. When you come to know how very much I love you I do think you will give way at last." With that he picked himself up from the ground and hurried out of the house without saying another word.


CHAPTER 12 "WOULD YOU?"

The scene described in the last chapter took place in March. For three days afterwards there was quiescence in Kingsbury Crescent. Then there came a letter from Tom to Ayala, very pressing, full of love and resolution, offering to wait any time -- even a month -- if she wished it, but still persisting in his declared intention of marrying her sooner or later -- not by any means a bad letter had there not been about it a little touch of bombast which made it odious to Ayala's sensitive appreciation. To this Ayala wrote a reply in the following words:

"When I tell you that I won't, you oughtn't to go on. It isn't manly.

AYALA

"Pray do not write again for I shall never answer another."
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