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Ayala's Angel [64]

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said. "I don't know how to tell you."

"Do you love some other man?"

"No; no; no!" To Uncle Tom, at any rate, she need say nothing of the image.

"Then why is it?"

"Because I can't. I don't know what I say, but I can't. I know how very, very, very good you are."

"I would love you as my daughter."

"But I can't, Uncle Tom. Pray tell him, and make him get somebody else. He would be quite happy if he could get somebody else." "It is you that he loves."

"But what's the use of it, when I can't? Dear, dear Uncle Tom, do have it all settled for me. Nothing on earth could ever make me do it. I should die if I were to try."

"That's nonsense."

"I do so want not to make you angry, Uncle Tom. And I do so wish he would be happy with someone else. Nobody ought to be made to marry unless they like it -- ought they?"

"There is no talk of making," said Sir Thomas, frowning.

"At any rate I can't," said Ayala, releasing herself from her uncle's embrace.

It was in vain that even after this he continued his request, begging her to come down to Glenbogie, so that she might make herself used to Tom and his ways. If she could only once more, he thought, be introduced to the luxuries of a rich house, then she would give way. But she would not go to Glenbogie,; she would not go to Merle Park; she would not consent to see Tom anywhere. Her uncle told her that she was romantic and foolish, endeavouring to explain to her over and over again that the good things of the world were too good to be thrown away for a dream. At last there was a touch of dignity in the final repetition of her refusal. "I am sorry to make you angry, but I can't, Uncle Tom." Then he frowned with all his power of frowning, and, taking his hat, left the room and the house almost without a word.

At the time fixed the Marchesa's carriage came, and Ayala with her boxes was taken away to Brook Street. Uncle Reginald had offered to do something for her in the way of buying a frock, but this she refused, declaring that she would not allow herself to become an expense merely because her friends in Rome had been kind to her. So she had packed up the best of what she had and started, with her heart in her mouth, fearing the grandeur of the Marchesa's house. On her arrival she was received by Nina, who at once threw herself into all her old intimacy. "Oh, Ayala," she said, "this is so nice to have you again. I have been looking forward to this ever since we left Rome."

"Yes," said Ayala, "it is nice."

"But why did you tell mamma you would not come? What nonsense to talk to her about frocks! Why not come and tell me? You used to have everything at Rome, much more than I had."

Then Ayala began to explain the great difference between Uncle Tom and Uncle Reginald -- how Uncle Tom had so many thousands that nobody could count them, how Uncle Reginald was so shorn in his hundreds that there was hardly enough to supply the necessaries of life. "You see," she said, "when papa died Lucy and I were divided. I got the rich uncle, and Lucy got the poor one; but I made myself disagreeable, and didn't suit, and so we have been changed."

"But why did you make yourself disagreeable?" said Nina, opening her eyes. "I remember when we were at Rome your cousin Augusta was always quarrelling with you. I never quite knew what it was all about."

"It wasn't only that," said Ayala, whispering.

"Did you do anything very bad?"

Then it occurred to Ayala that she might tell the whole story to her friend, and she told it. She explained the nature of that great persecution as to Tom. "And that was the real reason why we were changed," said Ayala, as she completed her story.

"I remember seeing the young man," said Nina.

"He is such a lout!"

"But was he very much in love?" asked Nina.

"Well, I don't know. I suppose he was after his way. I don't think louts like that can be very much in love to signify. Young men when they look like that would do with one girl as well as another."

"I don't see that at all," said Nina.

"I
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