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Ayn Rand and the World She Made - Anne C. Heller [334]

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Nathaniel Branden, “The Benefits and Hazards of the Philosophy of Ayn Rand,” lecture given at the University of California at San Diego, May 25, 1982.

_____, “Objectivism Past and Future,” speech delivered at California Institute for Applied Objectivism, November 1996, Laissez Faire Books.

Jeff Britting, “An Illustrated Life,” speech given at the Ayn Rand Centenary Conference, New York, April 23, 2005.

Yaron Brook, “Rand’s Musical Biography,” speech given at the Ayn Rand Centenary Conference, New York, April 23, 2005.

Scott McConnell, “Paramount Studio Tour,” speech given on the Paramount Studio lot at the Ayn Rand Institute premiere of Ayn Rand: A Sense of Life, November 2, 1996.

_____, “Recollections of Ayn Rand I,” speech delivered at the Oslo Objectivist Conference, Oslo, Norway, October 18, 2003.

_____, “Ayn Rand’s Family and Friends, 1926–1951,” a lecture presented at ICON 2004, London, England, September 25, 2004, based on Ayn Rand Institute Oral History Project interviews and material in the Ayn Rand Institute Archives.

Shoshana Milgram, “The Road to Roark,” speech presented at an ARI Conference in Industry Hills, California, July 2003, based on material in the Ayn Rand Institute Archives.

_____, “The Hero in the Soul Manifested in the World,” a lecture presented at the Ayn Rand Institute’s Centenary Conference, New York, April 23, 2005.

_____, “Ayn Rand’s Unique and Enduring Contributions to Literature,” lecture, ARI Centenary Conference, July 7, 2005, San Diego.

_____, “Ayn Rand as a Public Speaker: A Philosopher Who Lived on Earth,” lecture given at the Objectivist Conference, Boston, July 7, 2006.

George Reisman, “Memories of Mises, Rothbard and Rand,” taped speech presented to the Mises Institute, 2005.

Dina Schein, “Ayn Rand’s Home Atmosphere: Her Family in Russia,” a lecture on letters to Rand from the Rosenbaums, 1926–35, July 9, 2005, Ayn Rand Institute Centennial Conference, Santa Barbara, California.


MISCELLANEOUS SOURCES

Ayn Rand: A Sense of Life, a film produced, directed, and written by Michael Paxton; associate produced and music composed by Jeff Britting, 35 mm, 2 hr. 24 min. (Santa Monica, Calif.: Strand Releasing, 1998).

Bonhams and Butterfields, The Library of Ayn Rand, auction catalog, Los Angeles, June 28, 2005.

Barbara Branden, “It’s a Dirty Job, But …,” an unpublished essay written in 2007, courtesy of the author.

Jeffrey Walker, Go Ask Alyssa, an unpublished book-length study of Rand, Judaism, and Nietzsche, courtesy of author.

Nathaniel Branden and Barbara Branden, “In Answer to AR,” independently published and distributed mailer, October 1968.

PERMISSIONS ACKNOWLEDGMENTS


TEXT CREDITS


Grateful acknowledgment is made to the following for permission to reprint previously published and unpublished material:


Academy of Motion Picture Arts and Sciences: Excerpts from An Oral History with Robert M.W. Vogel, interviewed by Barbara Hall (Beverly Hills, CA: Academy of Motion Picture Arts and Sciences, Oral History Program, 1991). Reprinted by permission of Barbara Hall, on behalf of Academy of Motion Picture Arts and Sciences.


The Ayn Rand Institute: Excerpts from 100 Voices: An Oral History of Ayn Rand by Scott McConnell, an unpublished project of the Ayn Rand Archives (Irvine, CA: Ayn Rand Institute Press, forthcoming). The Ayn Rand Archives at The Ayn Rand Institute is a reference source. Use of its materials by this author does not constitute endorsement or recommendation of this work by The Ayn Rand Institute. Reprinted by permission of The Ayn Rand Institute.


Michael Berliner: Excerpts form “Ayn Rand in Russia,” a lecture presented at the Lyceum International, Brussels, in 1997. Reprinted by permission of Michael Berliner.


Nathaniel Branden: Excerpts from Judgment Day by Nathaniel Branden (Boston: Houghton Mifflin, 1989). Reprinted by permission of Nathaniel Branden.


Doubleday and Barbara Branden: Excerpts from The Passion of Ayn Rand by Barbara Branden, copyright © 1986 by Barbara Branden. Reprinted by permission of Doubleday, a division of Random House,

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