Baltimore Noir - Laura Lippman [82]
Slink saw all of this from his new vantage point. The dead one. He watched as his body was pulled from the truck and set down on Gus Fulton’s grass. He watched as the children were ushered off the bus, and he joined in the sense of relief that they all seemed fine. His eyes rolled as he spotted Ellen Matthews making her way down the street in her robe and worn fluffy slippers. The woman’s gait listed somewhat, and Slink worried that when her feet stopped moving she’d topple forward onto the pavement. But she didn’t. She came to an unstable stop some ten feet from Slink’s body, then folded her hands together and muttered a tearful prayer into the autumn air.
The funeral was held at Druid Ridge Cemetery three days later. Slink’s cronies were there. Pale Sally presented the wreath from Cloverland. A few of the drivers banded together to wear their uniforms to the grave site, which Slink thought was pretty classy. It was a beautiful crisp autumn day. Yellow leaves fell from the trees, cascading down like a rain of canaries. Slink watched the proceedings from several dozen angles, one of the many benefits of being dead that he was already catching on to. He was especially touched when little Annie Brewster, who had insisted to her parents in a foot-stomping fit that she be allowed to attend, stepped forward to add a single rose to the flowers already atop the casket. Annie hesitated after carefully placing the rose, then removed her black wool gloves and set them, palms down, next to the flower. She stepped back between her parents and thrust her hands into her coat pockets. There, in the left pocket, she fiddled with Slink’s toothpick as the color began to rise into her frowning face.
Her parents were already worried.
Slink took to his new condition like a kid to a sliding board. No problem. Being dead—he discovered—was a lot like dreaming. Or, for that matter, like the feeling that comes from a bellyful of old-fashioneds. The altered state. The affairs of the living were a lot more comical and nonsensical from the perspective of being dead, much the way dreams are freakish and pointless to the living. Tit for tat, figured Slink. And time—he also discovered—was completely irrelevant. The school bus had hit him twenty years ago, the school bus had hit him yesterday. No real difference. The borders between today and yesteryear were completely blurred and he could move back and forth at will. Studebakers and bigfinned Chevrolets in the Memorial Stadium parking lot? That would be Jim Gentile on first and the amazing Luis Aparicio filling the hole at short. The Light Rail pulling into the Camden Yards station? That would be the whole new set of over-priced bums.
Other spirits appeared to Slink and he spent time—whatever that was—with them. He still went to Pimlico to watch the races, only now, if he wanted, he could ride with the jockeys as they lumbered into the homestretch. And now, of course, he knew the winners. For what it mattered. He kicked around the long-gone fish market at Market and Pratt, where he had ventured sometimes as a kid. The fishmongers in their high rubber boots shot their hoses right through him and had no idea. Even dead, the smell of the place was still rank and briny. Slink and another dead crony took in some shows at the Two O’clock Club, but Slink had found Blaze’s act a little too agitating, even in his dreamy dead state. That became his joke. “I ain’t dead yet.” And he’d laugh. But he’d also feel an uncommon warmth in the area of his heart and he discovered that what he was was sad. Being dead brought with it a melancholy streak that was brand new to Slink, something he hadn’t experienced much in his living days. It wasn’t bad feeling