Believing the Lie - Elizabeth George [23]
He was admitted not by a doorman but rather by an elderly woman in black with a crisp white pinafore apron pinned to her chest. She looked like someone from another century and, as things developed, she moved like that as well. He stated his business in an entry hung with Victorian paintings of uncertain quality that loomed above a marble draughtsboard floor. The woman nodded and negotiated something like a three-point turn before leading him to a door to the right of an impressive staircase broken by a mezzanine. There a sculpture of Venus on the half shell stood, backed by a window that arched to display the upper part of a garden, evidenced by the remains of a tree strangled by ivy.
The woman knocked, opened, and admitted him into a darkly panelled dining room, closing the door behind him. The room was empty of diners at this hour but occupied by two men at one of the linen-covered tables. They had a porcelain coffee service between them. There were three cups.
One of the men was the assistant commissioner, and the other was a bespectacled bloke who was, perhaps, too well-dressed for the time of day and the present environment, although, for that matter, so was Hillier. They seemed of an age but unlike Hillier, the other man had a receding hairline that he emphasised rather than hid, by combing his remaining locks straight back, where they lay flat against his skull in defiance of fashion and looks. His hair was uniform in colour— mousy brown would have best described it— and thus seemed to be dyed. Also in defiance of fashion, his spectacles were thick rimmed with enormous black frames, and these in combination with an astoundingly overlarge upper lip unmatched to his lower made him look like someone begging to be caricatured. This, in fact, suggested to Lynley that he knew of the man, although he couldn’t have stated his name.
Hillier did that. “Lord Fairclough,” he said. “Bernard, this is DI Lynley.”
Fairclough stood. He was far shorter than both Lynley and Hillier, perhaps five feet five inches, and he carried something of a gut on him. His handshake was firm, and during the ensuing meeting, nothing he said or did indicated that he was anything but strong willed and confident.
“David’s told me about you,” Fairclough said. “I hope we can work well together.” His accent placed him from the north and its nature surprised Lynley, for it spoke of an education decidedly not undergone in a hallowed public school. He glanced at Hillier. It was completely like the AC to rub elbows with someone in possession of a title. It was completely unlike the AC, on the other hand, to do this elbow-rubbing with someone whose title had come not via the blood but rather, like his, via the Honours List.
“Lord Fairclough and I were knighted on the same day,” Hillier said, as if he felt an explanation for their association was required. He added, “Fairclough Industries,” as a means of clarification, as if the name of Fairclough’s source of wealth— if he had any— would be apparent at once.
“Ah,” Lynley said.
Fairclough smiled. “The Fairloo,” he said as means of clarification.
That did it, of course, as it would do. Bernard Fairclough had come to prominence first because of a most unusual lavatory invented and then widely produced by Fairclough Industries. He’d sealed his place in the firmament of those receiving titles from a grateful nation, however, by establishing a charitable foundation whose focus was raising funds to research a cure for pancreatic cancer. However, Fairclough had never been able to escape his association with the lavatory, and much amusement had been generated by tabloids referring to his knighthood and subsequent elevation to the peerage with such declarations as “It was a royal flush.”
Hillier gestured at the table. Lynley was meant to join them. Without asking, Hillier poured him a cup of coffee and, as Lynley sat and Fairclough resumed his own place at the table, slid the cup in his direction along with the milk and sugar.
“Bernard’s asked a favour of us,” Hillier