Believing the Lie - Elizabeth George [79]
“He’s settled on turning the place into a camping site,” Nicholas told her. “It’ll bring him some extra money during the season, and he’s happy enough to put up with us if that’s the end product. That was Allie’s idea, by the way, approaching the farmer with the possibilities for the tower if he’d let us renovate it. She was involved with the pele project in its initial stages.”
“But not now?”
“She likes to be in the background. Plus… well, I daresay when the addicts began to arrive, she was a bit more comfortable being at home than hanging about here.” They pulled onto the site where work was in progress, and Nicholas added, “No need to be wary, though. These blokes are far too used up— and far too ready for a change in their lives— to be harmful to anyone.”
But they were not, Deborah found, far too used up to work. A team leader had been assigned to the project, and when Nicholas introduced him as Dave K— “It’s traditional not to use surnames,” he told her— it was clear that work leading to hunger leading to meals leading to twelve-stepping and then to sleep was the order of the day. Dave K had a roll of plans with him, and he unscrolled them on the bonnet of Nicholas Fairclough’s car. With a nod at Deborah meant, she assumed, to convey acknowledgement of the introduction, he lit a cigarette and used it as a pointer as he spoke to Nicholas about the project.
Deborah wandered from the car. The tower, she saw, was huge, a bulky mass of a building that looked like the makings of a Norman castle, complete with crenellation. Upon a casual glance, it didn’t appear in need of a great deal of restoration, but when Deborah walked round the other side of the structure, she saw what had become of it during the centuries it had lain available for anyone to maraud upon it.
The project was going to be enormous. Deborah couldn’t think how they were going to manage the scope of work needing to be done. There were no floors to the building, one of the four external walls was missing, and another wall was partially collapsed. Removing debris alone was going to take ages and then there was the not small matter of obtaining materials to replace those that had long ago been carted off to become part of other buildings in the district.
She gazed upon it with a photographer’s eye. In the same fashion, she examined the men who were working there, most of whom seemed to be the age of pensioners. She didn’t have any of her cameras with her aside from a small digital one to keep her position as a filmmaker’s research scout on the up-and-up. She took this from her bag and applied herself to recording what was round her.
“It’s really the act of creation that heals. The process not product, I mean. Of course, at first they focus on the product. That’s human nature. But in the end they’ll come to see that the real product is self-belief, self-esteem, self-knowledge. Whatever you want to call it.”
Deborah turned. Nicholas Fairclough had come up beside her. She said, “To be honest, your workers don’t look strong enough to do much, Mr. Fairclough. Why are there no younger men to help them?”
“Because these are the blokes who need saving the most. Here and now. If someone doesn’t reach out to them, they’re going to die on the streets in the next couple of years. My thinking is that no one deserves to die like that. There’re programmes all over the country— all over the world— for young people, and believe me I know, because I spent time in a lot of them. But for blokes like this? Shelters for the night, sandwiches, hot soup, Bibles, blankets, whatever. But not belief. They’re not so far gone that they can’t read pity at fifty yards. Feel that way towards them and they’ll take your money, use it to get high, and spit on your charity. ’Scuse me for a moment, okay? Have a