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BENITO CERENO [42]

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it; but that the Negro Babo, having another design, forbade Francesco;... that the Ashantee Lecbe was one of the worst of them; for that, on the day the ship was retaken, he assisted in the defence of her, with a hatchet in each hand, with one of which he wounded, in the breast, the chief mate of Amasa Delano, in the first act of boarding; this all knew; that, in sight of the deponent, Lecbe struck, with a hatchet, Don Francisco Masa when, by the Negro Babo's orders, he was carrying him to throw him overboard, alive; beside participating in the murder, before mentioned, of Don Alexandro Aranda, and others of the cabin-passengers; that, owing to the fury with which the Ashantees fought in the engagement with the boats, but this Lecbe and Yan survived; that Yan was bad as Lecbe; that Yan was the man who, by Babo's command, willingly prepared the skeleton of Don Alexandro, in a way the Negroes afterwards told the deponent, but which he, so long as reason is left him, can never divulge; that Yan and Lecbe were the two who, in a calm by night, riveted the skeleton to the bow; this also the Negroes told him; that the Negro Babo was he who traced the inscription below it; that the Negro Babo was the plotter from first to last; he ordered every murder, and was the helm and keel of the revolt; that Atufal was his lieutenant in all; but Atufal, with his own hand, committed no murder; nor did the Negro Babo;... that Atufal was shot, being killed in the fight with the boats, ere boarding;... that the Negresses, of age, were knowing to the revolt, and testified themselves satisfied at the death of their master, Don Alexandro; that, had the Negroes not restrained them, they would have tortured to death, instead of simply killing, the Spaniards slain by command of the Negro Babo; that the Negresses used their utmost influence to have the deponent made away with; that, in the various acts of murder, they sang songs and danced- not gaily, but solemnly; and before the engagement with the boats, as well as during the action, they sang melancholy songs to the Negroes, and that this melancholy tone was more inflaming than a different one would have been, and was so intended; that all this is believed, because the Negroes have said it. -That of the thirty-six men of the crew- exclusive of the passengers (all of whom are now dead), which the deponent had knowledge of- six only remained alive, with four cabin-boys and ship-boys, not included with the crew;.... -that the Negroes broke an arm of one of the cabin-boys and gave him strokes with hatchets.

[Then follow various random disclosures referring to various periods of time. The following are extracted:]

-That during the presence of Captain Amasa Delano on board, some attempts were made by the sailors, and one by Hermenegildo Gandix, to convey hints to him of the true state of affairs; but that these attempts were ineffectual, owing to fear of incurring death, and furthermore owing to the devices which offered contradictions to the true state of affairs; as well as owing to the generosity and piety of Amasa Delano, incapable of sounding such wickedness;... that Luys Galgo, a sailor about sixty years of age, and formerly of the king's navy, was one of those who sought to convey tokens to Captain Amasa Delano; but his intent, though undiscovered, being suspected, he was, on a pretence, made to retire out of sight, and at last into the hold, and there was made away with. This the Negroes have since said;... that one of the ship-boys feeling, from Captain Amasa Delano's presence, some hopes of release, and not having enough prudence, dropped some chance-word respecting his expectations, which being overheard and understood by a slave-boy with whom he was eating at the time, the latter struck him on the head with a knife, inflicting a bad wound, but of which the boy is now healing; that likewise, not long before the ship was brought to anchor, one of the seamen, steering at the time, endangered himself by letting the blacks remark a certain unconscious hopeful expression in his countenance,
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