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Bent Road - Lori Roy [79]

By Root 283 0
now. It’s the color of things. The sun is hanging on the horizon and its light is gray instead of clear. Everything is gray. It’s almost night. It happens so quickly this time of year. Night didn’t seem to settle in so fast in Detroit where there were streetlights and neighbors’ lights and headlights. The gray air makes Daniel’s stomach tighten and his chest begins to pound as each breath comes faster than the last. He backs away from Olivia. Evie isn’t in the barn or the basement or Mr. Murray’s old car. She’s not anywhere. He takes another backward step and then another. Eventually, he’ll run all the way to school. He’ll find Evie there and bring her home. A few more steps, but he can’t turn away from Olivia yet. She lies on her side, one rounded ear sticking up, one bright eye staring at him. He realizes he is waiting for that eye to blink, but it doesn’t. It never will.

It’s not quite dark yet. As soon as Uncle Ray turns off Bent Road, Evie sees a small group of men standing in the ditch. Uncle Ray must have seen them, too. They must be the reason Uncle Ray turned because he stops the truck in the middle of the road and shines his headlights on them. A few of the men hold a hand up to shield their eyes and they look at Uncle Ray’s truck. Evie scoots to the edge of her seat.

“Those two men have dogs,” she says.

Uncle Ray doesn’t answer, but instead pulls down hard on the gearshift, backs up, rolling the steering wheel so the truck’s tailgate swings around toward the ditch and throws the gearshift forward again.

“Do you know those men, Uncle Ray?”

Again, Uncle Ray doesn’t answer. His hat sits high on his forehead, and even though his eyes have plenty of room to see, he doesn’t look at Evie. Turning the steering wheel the other way, passing one hand over the other the same way Daddy does, Uncle Ray presses on the gas and the men and the two dogs disappear when Uncle Ray drives back onto Bent Road.

The sky is almost all the way dark now, but even so, Evie remembers the place were they saw the men and dogs. She went there a time or two with Daddy when Uncle Ray was away with his other family in Damar. It’s Mrs. Hathaway’s farm, except Uncle Ray uses it because Mr. Hathaway died a long time ago. Evie slides back in her seat and grabs onto the blanket that Aunt Ruth left behind. For one quick second, something smells sweet and light like Aunt Ruth. Evie feels like she wants to cry again, though she doesn’t know why. She grabs two handfuls of the rough quilt, wadding it up in both fists and watches for home.

Daniel is standing in the center of the gravel drive, staring down at Olivia, when Dad starts to beat on his steering wheel. Only then, does Daniel notice the empty sound of the truck’s engine. It is rattling and choking but it won’t turn over. Dad throws open the driver’s side door.

“Go get your mother’s keys,” he shouts at Daniel.

Daniel doesn’t move.

“Hurry up about it,” Dad says, reaching behind his seat and pulling out a set of jumper cables. Next, the hood pops open. “The keys, Dan. Get your mother’s keys.”

Daniel backs away a few more steps. Dad is going to search for Evie but his truck won’t start. How will they find Evie if Dad’s truck won’t start? One more time, Dad shouts. Daniel jumps, spins around, takes two running steps and stumbles.

“Olivia,” Evie says. “Is that Olivia?”

Daniel straightens and grabs Evie by the shoulders. Her cheeks and nose are red, her eyes watery. She steps to the side so she can see Olivia.

“What’s wrong with her?” Evie says. “Her neck is bad. Her head isn’t the right shape.”

From a few yards away, Olivia’s one eye is staring at them. It’s big and black, and like a piece of polished glass, it shines where it catches the porch light. Daniel turns back to Evie and checks her over top to bottom, searching for missing parts. Two eyes, two ears, a whole head.

“Come inside,” he says, stepping in front of her so she can’t see Olivia. “Dad,” he shouts, pulling Evie toward the house. “She’s home. She’s home.” Stumbling up the stairs, across the porch and pushing open the

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