Best American Crime Writing 2006 - Mark Bowden [115]
Yes, we know this story very well—perhaps even too well. It has been like a burr in our national consciousness for fifty years now. From time to time it has flared up, inspiring commemorative outbursts of sorrow, anger, and outrage, all of which ran their course quickly and then died down. But the latest flare-up, sparked by a pair of recent documentaries, The Murder of Emmett Till and The Untold Story of Emmett Louis Till, has spread to the federal government: last year, the Department of Justice announced that it was opening a new investigation into the case. This spring, Till’s body was exhumed and autopsied for the first time. It has been reported that officials may be ready to submit a summary of their findings—an “exhaustive report,” as one described it—to the local district attorney in Mississippi by the end of this year. The only person in the Department of Justice who would comment on any aspect of the investigation was Jim Greenlee, U.S. Attorney for the Northern District of Mississippi, who would say only that its objective was “to get the facts about what exactly happened that day and who might be culpable.”
I have spent a good bit of time trying to do the same thing, even though it’s hard to see how I might have any kind of connection with the story of Emmett Till. I am a white man from the Northeast who is not a lawyer or an investigator or an activist; what’s more, the whole thing happened a dozen years before I was born. But as is the case with so many other people, the story took fierce hold of me the first time I heard it, as a junior in college in 1987, and it has never let go. It drove me, after graduation, to take a job at the Greenwood Commonwealth, a daily newspaper in Greenwood, Mississippi, just nine miles from Money. There, I found myself surrounded by people who really were connected, in one way or another, with the case: jurors, defense lawyers, witnesses, the man who owned the gin fan. My boss, a decent man who was relatively progressive when it came to matters of race, nevertheless forbade me to interview any of them—even to ask any of them about it casually—during the year I worked for him.
In 1995, when I found myself back in the Delta to conduct interviews and cover a trial for what would eventually become a book about Mississippi, I took the opportunity to try to talk with the people I couldn’t back when I lived there. Unfortunately, many of them had died in the interim, including Roy Bryant. (J.W. Milam died in 1980.) After a good bit of detective work, I managed to track down Carolyn Bryant, only to be told by a man who identified himself as her son that he would kill me if I ever tried to contact his mother. I laughed loudly into the phone, more out of surprise than amusement. “I’m not joking,” he said, sounding a bit surprised himself. “Really, I’m not!”
There were others, though, who were willing to talk, were even quite obliging about it, which surprised me, because these were men who had rarely, if ever, been interviewed on the subject. You see, I wasn’t interested in talking to Till’s cousins and other members of the local black community, the people who had been there with him at the store, who had witnessed or heard tell of his abduction and had worried that they might be next. Those people had been interviewed many times already; I knew what they had to say, empathized with them, understood them. The people I wanted to interview were those with whom I couldn’t empathize, those I didn’t understand. I wanted to sit down