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Betrayal at Lisson Grove - Anne Perry [52]

By Root 816 0
attractive. It was difficult to know his age from his face, but he had white wings to his black hair, so Charlotte judged him to be close to fifty.

‘Victor!’ he said cheerfully, holding out his hand and grasping Narraway’s fiercely. ‘Wonderful invention, the telephone, but there’s nothing like seeing someone.’ He turned to Charlotte. ‘And you must be Mrs Pitt, come to our queen of cities for the first time. Welcome. It will be my pleasure to show you some of it. I’ll pick the best bits, and the best people, there’ll be time only to taste it and no more. Your whole life wouldn’t be long enough for all of it. Come in, and have a drink before we start out.’ He held the door wide and after a glance at Narraway, Charlotte accepted.

Inside the rooms were elegant, very Georgian in appearance. They could easily have been in any good area of London, except perhaps for some of the pictures on the walls, and a certain character to the silver goblets on the mantel. She was interested in the subtle differences, but it would be discourteous to stare. He would not know she admired it rather than criticised. And they had no time for such indulgence anyway.

‘You’ll be wanting to go to the theatre,’ Fiachra McDaid went on, looking at Charlotte. It was a discreet regard, passing as no more than courteous interest, but she noticed that he was studying her quite carefully.

He offered her sherry, which she merely sipped. She needed a very clear head and she had eaten little.

‘Naturally,’ she answered with a smile. ‘I could hardly hold my head up in society at home if I came to Dublin and did not visit the theatre.’ With a touch of satisfaction she saw an instant of puzzlement in his eyes. It had been a trivial remark, such as a woman might make who cares what others thought of her rather than who she was to herself – not a person Narraway would befriend by choice. What had he told this man of her? For that matter, what did Fiachra McDaid know of Narraway? She had asked, but he had not answered.

The look in McDaid’s eyes, quickly masked, told her that it was quite a lot. She smiled, not to charm but in her own amusement.

He saw it, and understood.Yes, most certainly he knew quite a lot about Narraway.

‘I imagine everybody of interest is at the theatre, at one time or another,’ she said aloud.

‘Indeed,’ McDaid nodded his head. ‘And many will be there at dinner tonight at the home of John and Bridget Tyrone. It will be my pleasure to introduce you to them. It is a short carriage ride from here, but certainly too far to return you to Molesworth Street on foot, at what may well be a very late hour.’

‘It sounds an excellent arrangement,’ she accepted. She turned to Narraway. ‘I shall see you at breakfast tomorrow? Shall we say eight o’clock?’

Narraway smiled. ‘I think you might prefer we say nine,’ he replied.

Charlotte and Fiachra McDaid spoke of trivial things on the carriage ride, which was, as he had said, quite short. Mostly he named the streets through which they were passing, and mentioned a few of the famous people who had lived there at some time in their lives. Many she had not heard of, but she did not say so, although she thought he guessed. Sometimes he prefaced the facts with ‘as you will know’, and then told her what indeed she had not known.

The home of John and Bridget Tyrone was larger than McDaid’s. It had a splendid entrance hall with staircases rising on both sides, which curved around the walls and met in a gallery arched above the doorway into the first reception room. The dining room was to the left beyond that, with a table set for above twenty people.

Charlotte was suddenly aware of being an outsider privileged to be included by some means of favour owed or returned.There were already more than a dozen people present, men in formal black and white, women in exactly the same variety of colours one might have found at any fashionable London party. What was different was the vitality in the air, the energy of emotion in the gestures, and now and then the lilt of a voice that had not been schooled out of its

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