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Between a Rock and a Hard Place - Aron Ralston [140]

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twice. On the second prodding, the blade punctures the epidermis as if it is dipping into a stick of room-temperature butter, and releases a telltale hissing. Escaping gases are not good; the rot has advanced more quickly than I had guessed. Though the smell is faint to my desensitized nose, it is abjectly unpleasant, the stench of a far-off carcass.

On the heels of the odor, a realization hits my brain—whatever has started in my hand will shortly pass into my forearm, if it hasn’t already. I don’t know and furthermore don’t care if it’s gangrene or some other insidious attack, but I know it is poisoning my body. I lash out in fury, trying to yank my forearm straight out from the sandstone handcuff, never wanting more than I do now to simply rid myself of any connection to this decomposing appendage.

I don’t want it.

It’s not a part of me.

It’s garbage.

Throw it away, Aron. Be rid of it.

I thrash myself forward and back, side to side, up and down, down and up. I scream out in pure hate, shrieking as I batter my body to and fro against the canyon walls, losing every bit of composure that I’ve struggled so intensely to maintain. Then I feel my arm bend unnaturally in the unbudging grip of the chockstone. An epiphany strikes me with the magnificent glory of a holy intervention and instantly brings my seizure to a halt:

If I torque my arm far enough, I can break my forearm bones.

Like bending a two-by-four held in a table vise, I can bow my entire goddamn arm until it snaps in two!

Holy Christ, Aron, that’s it, that’s it. THAT’S FUCKING IT!

I scramble to clear my stuff off the rock, trying to keep my head on straight. There is no hesitation. Under the power of this divine interaction, I barely realize what I’m about to do. I slip into some kind of autopilot; I’m not at the controls anymore. Within a minute, I orient my body in a crouch under the boulder, but I can’t get low enough to bend my arm before I feel a tugging at my waist. I unclip my daisy chain from the anchor webbing and drop my weight as far down as I can, almost making my buttocks reach the stones on the canyon floor. I put my left hand under the boulder and push hard, harder, HARDER!, to exert a maximum downward force on my radius bone. As I slowly bend my arm down and to the left, a Pow! reverberates like a muted cap-gun shot up and down Blue John Canyon. I don’t say a word, but I reach to feel my forearm. There is an abnormal lump on top of my wrist. I pull my body away from the chockstone and down again, simulating the position I was just in, and feel a gap between the serrated edges of my cleanly broken arm bone.

Without further pause and again in silence, I hump my body up over the chockstone, with a single clear purpose in my mind. Smearing my shoes against the canyon walls, I push with my legs and grab the back of the chockstone with my left hand, pulling with every bit of ferocity I can muster, hard, harder, HARDER!, and a second cap-gun shot ends my ulna’s anticipation. Sweating and euphoric, I again touch my right arm two inches below my wrist, and pull my right shoulder away from the boulder. Both bones have splintered in the same place, the ulna perhaps a half inch closer to my elbow than my radius. Rotating my forearm like a shaft inside its housing, I have an axis of motion freshly independent of my wrist’s servitude to the rock vise.

I am overcome with the excitement of having solved the riddle of my imprisonment. Hustling to deploy the shorter and sharper of my multi-tool’s two blades, I skip the tourniquet procedure I have rehearsed and place the cutting tip between two blue veins. I push the knife into my wrist, watching my skin stretch inwardly, until the point pierces and sinks to its hilt. In a blaze of pain, I know the job is just starting. With a glance at my watch—it is 10:32 A.M.—I motivate myself: “OK, Aron, here we go. You’re in it now.”

I leave behind my prior declarations that severing my arm is nothing but a slow act of suicide and move forward on a cresting wave of emotion. Knowing the alternative is to wait for a progressively

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