Beyond the Shadows - Brent Weeks [105]
Quoglee presided over the silence like the maestro he was, a smug smirk tugging at his lips. He judged the silence as if it were music, each beat of rest landing in perfect order. Then, a moment before the revelation could spark a firestorm of comment, he lifted one finger.
From the crowd, a woman’s voice broke in a single high, clear note she held for impossibly long, and then, never pausing for a breath, it devolved into a plaintive run and finally words, decrying loneliness. All eyes turned to a barrel-chested soprano in ivory that no one recognized. As she sang, she strode through the crowd until she joined Quoglee on his platform. His voice joined hers, crossing and interweaving melodies, even as the words clashed, lovers singing of love and love denied.
From the corners of the room, the instruments, light viol and muscular bass and harp, played against the voices, but by the magic of music, each stood clear. The repetition of the vocal pleas against the instrumental injunctions allowed the ear to follow one and then the next and the next. Had it been speech, it would have been unintelligible. But in music, every line was pellucid, individuated, stark in its call. A sister’s passion, a brother’s confusion, youth in turmoil, society frowning condemnation, secrets born in the bedchambers of an exalted house. A woman defiant, passionate, letting nothing stand in her way.
Though he didn’t name them, Quoglee had taken no pains to conceal the objects of his song, but as always, some nobles caught on earlier than others. Those who understood couldn’t believe what they were hearing. They searched the room for guards, sure that someone must stop this beautiful outrage. But no guard was at his post. The Sa’kagé had chosen this night to unveil its power. There was no way this could be an accident. This room, which held two hundred of the kingdom’s elite, now swelling ever more as the curious came to see what held everyone transfixed, was normally protected by at least a dozen of the Queen’s Guard. Quoglee sang treason, and no one stopped him. The beauty of the music and the seduction of a rumor held the nobles in a spell. It was Quoglee’s masterpiece. No one had ever heard such music. The strings warred with each other, and the forbidden love warred with itself, the music claiming this twisted love was love indeed, even as the boy twisted against his conscience and the woman demanded her rights as a beloved.
Then, as they sang, finally in harmony, having declared an armistice, surrendering to a forbidden love which must remain secret, a new voice joined the fray. A young soprano, lean, in a simple white dress joined Quoglee and the mezzo soprano, singing notes of such purity they tore the heart. In her innocence, she stumbled upon a secret that would wreck a royal house.
The brother never knew. The elder sister saw all she had, all she desired, threatened by her own sister, and in her conflicted heart, she hatched a desperate plan.
Unnoticed by the rapt nobles, a young man had entered the chamber only moments after the first notes sounded. Luc Graesin made no move to silence Quoglee Mars. From the back of the room, he only listened.
The voice of Natassa Graesin spiraled into the Hole, betrayed by her own blood, murdered. She wailed, her voice discordant, fading into oblivion, her life a sacrifice to a perversion. The music played the matching leitmotifs of fatal secrets and Cenaria once again.
“Nooo!” Luc Graesin screamed.
The musicians cut off the last, lingering notes in shock. Luc burst through the doors, fleeing. No one followed.
47
Seeing Count Drake, Kylar slipped through Queen Graesin’s entourage, but for once the casual invisibility of ordinariness failed him. A woman’s hand touched his elbow. He turned and found himself staring into Terah Graesin’s eyes. Those deep green Graesin eyes were breathtaking, especially as Kylar involuntarily stared deeper.
In another place, another time,