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Beyond the Sky and the Earth_ A Journey Into Bhutan - Jamie Zeppa [33]

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if I should be paying for these things.

“Yes, miss.” They leap down the ladder-like stairs and bound across the playing field.

Back inside, I hear water sputtering from a tap. This means I must fill every bucket, basin, pot, pan, bottle, kettle, jug, mug and cup right now, before the water disappears. In the kitchen, I pump up the kerosene stove until it is hissing steadily, throw a lit match at it and run into the bedroom, waiting for the explosion. When none comes, I creep back to the kitchen and put a pot of water on the blue flame. It immediately dies, and I have to repeat the process.

In the bathroom, the water has stopped. I have one full bucket. I can either bathe or wash my clothes. The drain is partially blocked, and although I have stuck a variety of implements down there—thick branches, thin willow wands, a piece of barbed wire—there is always a swamp in the middle of the bathroom. Gritting my teeth, I squat next to the bucket, and begin to pour the cold water over myself with a plastic jug. By the time I have finished, I am shivering violently and have to climb back into bed for several minutes before I can begin my daily kira ritual, a series of physical and mental contortions as I swathe and pin and belt the length of cloth around me. Sometimes, I stop, exasperated, holding some unexplained end, trying to figure out how it got free and where I should put it, and I wonder if I shouldn’t just give up and wear a skirt and sweater. No, I will not give Mrs. Joy the satisfaction. Yesterday in the bazaar, an old woman stopped me and began to tuck in various parts of my kira, pulling the skirt down as she yanked the top up. Stepping back, she studied her adjustments critically. “Dikpé?” I asked. Okay? She shook her head and waved me on: it was still wrong, but it was the best she could do with me.

With the egg Norbu has brought me, I make a pancake, which I eat with Bhutan’s own Mixed Fruit Jam, and then I leave for school, descending the steep staircase slowly, backwards, clutching the rails.

At school, I sit in the staff room with the other teachers, watching the students in the playing field. Many of them did not start school until they were eight or nine, which means that most of the class VIII kids are in their late teens. They all wear the school uniform, grey-blue ghos and kiras. Some of the smaller kids wear hand-me-downs, faded and splotched and miles too big for them. Pema Gatshel has both boarders and day students, and many of the day students walk for one or two or three hours to school each morning and evening. When it rains, they arrive at school soaked, and sit in their wet uniforms the whole day.

When the bell rings, we stand on the steps for morning assembly. The students stand in front of us at the edge of the playing field, in lines according to gender and class. The number of female students decreases steadily from preprimary to class VIII. The school captain, a class VIII boy named Tshering, leads the morning prayer and national anthem. From where I am standing, I can see the tip of a snow peak shining above a row of dark blue mountains in the northwest. I like to think that I am facing home, and wonder what Robert is doing right now, half the world away. It is yesterday evening there, and I picture him, with perfect clarity, in his apartment, reading the paper in his armchair, playing his guitar, cooking dinner. I wonder if he is thinking of me at the exact moment I am thinking about him. There is no way to find out. I am a million billion trillion miles away. Sometimes during morning assembly, my throat closes up and it hurts to breathe. Sometimes, though, I remember my book of Buddhist readings: feelings, desires, sorrows are all created by the mind. Everything in fact is “mind.” If I remember this, I simply turn my attention back to the slow and stately singing, and the sadness drains away.

After the national anthem, a senior student gives a short speech in English or Dzongkha on an assigned topic: punctuality, honesty, respect for dear parents and teachers. Every English speech ends

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