Blackwood Farm - Anne Rice [279]
And no one else saw me lay Patsy down in the pirogue. No one saw me go with her limp body out into the deepest waters of the swamp. And there she went down, down beneath the slimy green water—Cotton Candy Patsy no more. Barbie no more. My mother no more.
No one but me felt the shimmer of Rebecca. No one but me heard Rebecca’s voice: “Now I count that a real fine vengeance: the life of Patsy for my life.” Laughter.
“Get thee behind me, Satan,” I had said. “I didn’t do this for thee but for me.”
And then no more Rebecca, just as there was no more Patsy.
It had been so startling, the ghost gone, and Patsy gone, and the dense deadful swamp so empty. Mothergone.
The gators had moved in the water. Eat up Mother.
I had gone back alone to the empty cemetery.
Hours had passed.
And the blood of my mother was on my hands though there was no blood. And I would lie when I had to tell about her leaving, as I had lied about so much else, Quinn the killer of his own mother, Quinn the killer of the womb that bore him, Quinn the killer of so many, Quinn the killer of the bride, Quinn who had carried his mother over the threshold, Quinn who had sunk Patsy in the waters of the swamp.
I was alone now on Blackwood Farm.
And such a thing had never, ever happened, my being alone on this my land. And I stood beneath the oak looking at the tomb on which the altar would be laid, and wondering if the evil creature Goblin whom my little brother had become, the killer of Aunt Queen, could really be forced into the Light.
I closed my eyes. How I thirsted. But it was almost morning. I couldn’t hunt. I hadn’t the stamina. And tomorrow night, how could I do such a thing? Yet I had to do it before we began. How foolish had been my planning that I hadn’t put aside my sorrow and my murdering hate, and gone before now.
Why did I linger by the little cemetery? What was I trying to remember? Where were the mute ones who had long ago gazed on me in my innocent years? Why did they not come this morning as the sky turned purple and pink to tell me that I belonged with the dead?
Maybe the sun wasn’t as painful as the fire. But how could I do my part in destroying Goblin by merely walking into the morning? I needed courage. I needed strength.
I have it for you. Come into my arms.
I turned around. It was Lestat. I obeyed his command. I felt his arms tighten as he closed them. I felt his hand on the back of my head.
Kiss me, young one. Take what you need. It’s mine to give.
I pressed my teeth to his skin. I felt the surface give and the boiling blood fill my mouth and flood down my throat. I felt it, potent and divine. For a long moment the pure physical power of it overcame all imagery, but then there rose a deluge of pictures, vivid and high tempo and neon brilliant, a roaring carousel of life, the shuffling of centuries, the panoply without end of magnificent sensations, and at last, a jungle of myriad colors and flowers and the tender, pulsing core of his heart, his pure heart, his heart for me, his heart and nothing more could ever be wanted, nothing evermore.
50
SUMMER NIGHT. The sun didn’t set until six-thirty. Quiet lay over Blackwood Farm.
Clem had banked the firewood high around the entire tomb, and wood and coal were layered on top of it. And everywhere stood the candles.
Merrick was there in a lovely full-skirted dress of black cotton with long sleeves, and beads of jet around her throat. Her hair was free. And she carried with her a very large bag covered with fancy and glittering beadwork with two grips for handles, which she carefully set beside one of the tombs, and she made the Sign of the Cross and laid her hand respectfully on that grave, which was to be the altar.
With a lighter she ignited the first candle. Then from the bag she took a long taper, and, once it was lighted, went to the other candles one by one. Slowly the little cemetery filled with light.
Lestat stood at my side with his hand in the small of my back. I was shivering as if I was cold.
At last the entire graveyard was illuminated, and