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Blood and Gold - Anne Rice [110]

By Root 1086 0
books of comic stories and pretty poems. All over Europe new printing presses were being built.

They sang of the tragic fall of Constantinople to the invincible Turkish army. But the proud cities of the West no longer depended upon the far-away Greek Empire to protect them. The lament for Constantinople went unheeded.

Italy, my Italy, was illuminated by the glory of Venice and Florence and Rome.

It was time now for me to leave this vault.

I roused myself from my excited dreams.

It was time for me to see this world which marked its time as the year after Christ 1482.

Why I chose that year I am uncertain except perhaps that the voices of Venice and Florence called me most eloquently, and I had earlier beheld these cities in their tribulation and grief. I wanted desperately to see them in their splendor.

But I must go home first, all the way South to Rome.

So lighting the oil lamps once more for my beloved Parents, wiping the dust from their ornaments and their fragile robes, praying to them as I always did, I took my leave to enter one of the most exciting times which the Western world had ever seen.

14


I went to Rome. I could settle for nothing less.

What I found there was to sting my heart, but also to astonish me. It was an enormous and busy city, determined to rise from layers upon layers of ruin, full of merchants and craftsmen hard at work on grand palaces for the Pope and his Cardinals and for other rich men.

The old Forum and Colosseum were still standing, indeed there were many many recognizable ruins of Imperial Rome—including the Arch of Constantine—but blocks of ancient stone were constantly being pilfered for new buildings. However scholars were everywhere studying these ruins, and many argued for their maintenance as they were.

Indeed the whole thrust of the age was to preserve the remnants of the ancient times in which I’d been born, and indeed to learn from them, and imitate the art and the poetry, and the vigor of this movement surpassed my wildest dreams.

How can I say it more lucidly? This prosperous era, given over to trade and banking, in which so many thousands wore thick and beautiful clothes of velvet, had fallen in love with the beauty of ancient Rome and Greece!

Never had I thought such a reversal would occur as I had lain in my vault during the weary centuries, and I was at first too exhilarated by all I saw to do much but walk about the muddy streets, accosting mortals with as much graciousness as I could muster, asking them questions about what was going on about them, and what they thought of the times in which they lived.

Of course I spoke the new language, Italian, which had grown up from the old Latin, and I soon became used to it on my ears and on my tongue. It wasn’t such a bad language. Indeed it was beautiful, though I quickly learnt that scholars were well versed in their Latin and Greek.

Out of a multitude of answers to my questions I also learnt that Florence and Venice were deemed to be far ahead of Rome in their spiritual rebirth, but if the Pope were to have his way that was soon to change.

The Pope was no longer only a Christian ruler. He had made up his mind that Rome must be a true cultural and artistic capital, and not only was he completing work upon the new St. Peter’s Basilica but he was working as well upon the Sistine Chapel, a great enterprise within his palatial walls.

Artists had been brought from Florence for some of this painting, and the city was much intrigued as to the merits of the frescoes which had been done.

I spent as much time as I could in the streets and in the taverns listening to gossip of all this, and then I made for the Papal Palace determined to see the Sistine Chapel for myself.

What a fateful night this was for me.

In all the dark centuries since I had left my beloved Zenobia and Avicus, I had had my heart stolen by various mortals and various works of art, but nothing I had experienced could quite prepare me for what I was to see when I entered the Sistine Chapel.

Understand, I do not speak of Michelangelo, so well known

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