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Blood and Gold - Anne Rice [134]

By Root 1123 0
down in my diary:

This desire to make an immortal companion is no more justified here than it was in Florence. You have survived all your long life without ever taking this evil step, though you know well how to do it—the Druid priest taught you how to do it—and not doing it, you will continue to survive. You cannot bring over this child to you, no matter how you envision it. Imagine her to be a statue. Imagine your evil to be a force that would shatter that statue. See her then in fragments. Know that that is what you would do.

I went back to her rooms.

It was as if I’d never seen her before, so great was her impression upon me, so soft and compelling her voice, so radiant her face and her worldly eyes. It was an agony and also an immeasurable consolation to be near her.

For months I came to her rooms, pretending to listen to the poems recited, sometimes forced to answer in the gentle discussions regarding the theories of aesthetics or philosophy, but all the while simply wanting to be near her, studying the minutia of her beauty, closing my eyes now and then as I listened to the song of her voice.

Visitors came and went from her famous gatherings. No one dared question her supremacy within her own domain. But as I sat, as I observed, as I let myself dream in the candlelight, there came to my observation something subtle and dreadful as ever I had beheld.

Certain men who came into these rooms were marked for a dark and specific purpose. Certain men, well known to the divinely alluring mistress, received in their wine a poison which would follow them as they left the genial company and soon accomplish their deaths!

At first, when I with my preternatural senses had smelled this subtle but certain poison I thought I had imagined such a thing. But then with the Mind Gift, I saw into the heart of this enchantress, and how she lured those whom she must poison, knowing little or nothing of why they had been condemned to death.

This was the sordid lie I had first perceived in her. A kinsman, a Florentine banker, kept her in terror. Indeed it was he who had brought her here, provided her with her nest of lovely chambers and ever playing music. It was he who demanded of her that the poison be placed in the proper cup to do away with those he chose.

How calmly her blue eyes passed over those who drank the fatal potion. How calmly she watched as the poetry was read to her. How calmly she smiled at me when her eyes happened to fall upon the tall blond-haired man who observed her from the corner. And how deep her despair!

Armed with this new knowledge, no, driven to distraction by it, I went out into the night roaming, for now I had the proof on her of guilt immeasurable! Was this not sufficient to bring her over, to force the Dark Blood upon her, and then say, “No, my darling, I haven’t taken your life, I’ve given you eternity with me!”

Beyond the city I walked the country roads for hours, sometimes pounding my forehead with the heels of my palms.

I want her, I want her, I want her. But I could not bring myself to do it. At last I went home to paint her portrait. And night after night, I painted her portrait again. I painted her as the Virgin of the Annunciation, and the Virgin with Child. I painted her as the Virgin in the Lamentation. I painted her as Venus, as Flora, I painted her on small panels that I brought to her. I painted her until I could endure it no longer. I slumped on the floor of my painting room, and when the apprentices came to me in the dark hours of the dawn, they thought me sick and cried out.

But I couldn’t bring harm to her. I couldn’t bring my Evil Blood to her. I couldn’t take her over to me, and now a most great and grotesque quality attached itself to her in my eyes.

She was evil as I was evil, and when I watched her from the corner of her room, I fancied that I studied a thing which was like unto myself.

For her life, she dispatched her victims. For my life, I drank human blood.

And so this tender girl, in her costly gowns with her long blond locks and soft cheeks, took on a dark majesty for

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