Blood and Rage_ A Cultural History of Terrorism - Michael Burleigh [202]
It emerged that the C Company team were present on a Sunday evening in a Shankill Road club with the intention of engaging in a session of drinking. Upon the arrival of the first round of drinks the mood of the party was jovial when one of the assembled dozen or so members shouted ‘let’s bang a Taig’. Although this comment was intended in jest, Adair picked up on the suggestion and within five minutes had detailed every member of the team to play a specific role in the murder attempt which had now become a reality. Incredibly, fifteen minutes later the operation was underway and it was only then that the team realised that they hadn’t actually discussed a target. At this point it was decided to drive into a Catholic area and shoot the first male person they encountered. Approximately twenty-five minutes after the first suggestion, the entire team had returned to the club and resumed their drinking, the celebration of the murder [of forty-four-year-old Sean Rafferty shot dead washing up in front of his screaming children] being led by Adair.41
Experience and the performance of elite tasks brought status to people who without terrorism would largely have been unemployed since so many of them had dropped out of school, going on the dole or, like Adams (a barman) or McGuinness (a butcher’s boy) or Adair (an apprentice woodturner), into low-skilled jobs. Terrorism invested their lives with significance. Leaders had charisma, evidenced by their Robin Hood acts of kindness to old ladies (breaking the legs of those who stole their purse), or the free chops at the butchers and the rum and cokes ‘on me’ in the bar. As the case of Adair shows, his charisma did not derive from his being a proficient killer, because unlike his associates he got into that at a relatively late stage, and is thought to have personally killed ‘only’ once. He routinely missed whenever he tried to shoot someone, and was risibly cackhanded with guns. On stage at a loyalist culture day even the mini-skirted and hooded ‘Mad Bitch’ got off a salvo while ‘Mad Dog’ grappled with a flashy automatic pistol on his knees. He also had a big mouth around the detectives who insinuated themselves into his circle, something they could not do with PIRA.
A real killer was like Stevie McKeag, a born-again Christian with two children and a divorce. McKeag was a ginger-haired man in his early twenties with penetrating blue eyes; in addition to his Rottweiler named Butch he kept snakes, an iguana, a parrot, a scorpion and tropical fish in his home. At Christmas he liked to have flashing reindeer on the roof and plastic Santas dotted all over the garden. When he killed first on 28 April 1992, his victim was a Catholic pharmacist called Philomena Hanna. He dismounted from a red Suzuki, walked into the chemist’s and shot her six times, bending down over her to put the last bullet into her head at close range. That coolness was his abiding characteristic: ‘Everybody, no matter who you were, got sweaty palms. But not Stevie. He just fucking flew through it.’ His notoriety increased when he used a bicycle to get away after shooting his first republican victim, the second of dozens of murders he committed. Unlike Adair, who could not keep his mouth shut, McKeag took a professional approach to his work: ‘At the end of the day I went out, I pulled the trigger and I came home and I didn’t run round shouting