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Blood and Rage_ A Cultural History of Terrorism - Michael Burleigh [51]

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conspiracy, and no single anarchist party, there were good reasons for contemporaries to believe that individual anarchists were acting in response to generalised injunctions to destroy bourgeois civilisation. That anarchists were often foreigners, with unpronounceable names like Bresci or Czolgosz, automatically fostered the impression of a very cosmopolitan conspiracy, as did the international circulation of the multilingual anarchist press, copies of which were invariably found in the homes of dynamiters and their sympathisers. That press also sedulously propagated the idea of a worldwide army of anarchists willing to avenge suffering humanity. In other words, the anarchists themselves propagated the notion of a worldwide conspiracy. Improved telegraphy and successive daily newspaper editions updating the cycle of atrocity, arrest, trial, speeches from the dock, imprisonment or execution meant that readers could quite justifiably conclude that the activities of bomb-throwing maniacs were being co-ordinated on behalf of sinister objectives across Europe or North and South America, for Argentina too was not spared propaganda by the deed. Detailed and extensive press coverage had its drawbacks, since even the most hostile newspapers invariably printed the courtroom justifications of convicted anarchists virtually verbatim, fuelling the lethal ardour of anarchists everywhere. The reporting of the killing of king Umberto of Italy directly inspired the assassin of US president William McKinley. As Sir Howard Vincent, one of the founders of Scotland Yard’s Criminal Investigation Department (CID), put it: ‘The “advertisement” of anarchism, as of many other crimes, infallibly leads to imitation.’ That was why the French Chamber of Deputies made serious legislative efforts to prohibit reporting of trials of anarchists.

The sheer repetition of high-level assassinations also inclined people to think a vast conspiracy was abroad, even though the politics of the assassins - assuming they were not madmen - were hardly uniform. In 1878 Hödel and Nobiling made successive attempts on the life of the German emperor, the second of which resulted in his being badly wounded. That year a republican cook stabbed king Umberto of Italy, twenty-two years before his eventual assassination, while there was a bomb attack on a monarchist parade the following day. In 1881 a young French anarchist and unemployed weaver, Emile Florion, shot a total stranger having failed to find the republican politician Leon Gambetta. Florion then unsuccessfully tried to shoot himself. In the autumn of 1883 an anarchist plot was uncovered to blow up the German Kaiser, the crown prince and several leading military and political figures as they gathered to open the monument to Germania on the Niederwald above Rüdesheim. Sixteen pounds of dynamite were concealed in a drainage pipe beneath the road so as to blow up the imperial entourage as it passed overhead. Luckily, one of the terrorist assassins had decided to save a few pfennigs by purchasing cheap fuse cable that was not waterproof; the cheap fuse was so damp it could not be lit. The chief anarchist plotter, August Reinsdorf, and an accomplice were beheaded two years later. In January 1885 the chief of police in Frankfurt, who had played a major role in capturing Reinsdorf, was stabbed to death by an unknown assailant; circumstantial evidence was used to convict the anarchist Julius Lieske of the crime. Instead of an unending chain reaction of terror and counter-terror, these events resulted in the virtual demise of the German anarchist movement. Foreign policemen hastened to Berlin to discover the secrets of Prussian policing.

In France, meanwhile, anarchists were responsible for a series of random attacks, some of them indicative of the perpetrators’ mental derangement. Too inept to make a bomb, the young cobbler Leon Léauthier simply sat down in an expensive restaurant and knifed a neighbouring customer who turned out to be the Serbian ambassador. Charles Gallo threw a bottle of prussic acid on to the floor of

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