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By Root 781 0

that, impoverished by chronic unemployment, these men might be forced to leave Britain’s welcoming shores. There were a few fitful attempts to organise international police co-operation - notably the 1898 International Anti-Anarchist Conference of police chiefs and interior ministers - but Britain and Belgium insisted that anarchist violence could be adequately contained by existing domestic laws. Inevitably, in their dealings with the subterranean world of anarchist conspiracy, the police forces of Europe recruited agents or involved themselves too deeply in financing anarchist journals, lending some substance to Chesterton’s surreal vision in The Man Who Was Thursday of the police chasing anarchists who were themselves.

Anarchist terrorism did manage to generate widespread fear of a single conspiracy, with fake threatening letters from ‘Ravachol’ or suspicious boxes and packages contributing to urban psychosis. Fanciful journalists and novelists imagined weapons of greater destructive power rather than the modest explosive devices that anarchist plotters disposed of, although that may not be how the patrons of the Cafe Terminus or the Liceo Opera House would have seen things. Politicians and monarchs could no longer go among their citizens and subjects with relative ease, and government buildings took on some of the forbidding, fortified character they often possess today. Above all, perhaps, anarchist violence served to discredit political philosophies whose libertarian impulses might otherwise strike some as praiseworthy, by associating them, however unfairly, with the murderous vanity of sad little men labouring over their bombs in dingy rooms. A philosophy which regards the state as nothing more than the organisation of violence on behalf of vested interests came to be universally identified with murderous violence, obliterating the more harmless aspects of the underlying philosophy. One observer of these anarchists felt that ‘All these people are not revolutionaries - they are shams.’ This was the Anglo-Polish novelist Joseph Conrad, a man too admiringly grateful to England to breach its unspoken etiquette by publicly criticising how it had afforded asylum to ‘the infernal doctrines born in continental back-slums’. Edward Garnett paid him an immense (backhanded) compliment when he reviewed The Secret Agent: ‘It is good for us English to have Mr Conrad in our midst visualising for us aspects of life we are constitutionally unable to perceive.’8

Partly inspired by Bourdin’s death in Greenwich Park, in 1907 Conrad devoted The Secret Agent to the theme of ‘pests in the streets of men’, notably the pain and suffering they inflicted on everyone they touched in their immediate private circle. Although in the wake of 9/11 many commentators rightly discovered precursors of the Saudi hijackers in Conrad’s depiction of squalid anarchists blindly following a plot elaborated by a tsarist diplomat in 1900s London, this was not where the author’s primary interests lay. The chief focus is Winnie Verloc, who commits suicide after murdering Adolf Verloc, her anarchist, agent-provocateur and pornographer husband who acts on behalf of a sinister Russian diplomat seeking to make London inhospitable to terrorists by inciting them to blow up Greenwich Observatory as a symbol of bourgeois belief in scientific progress. Winnie inadvertently discovers that her husband was responsible for the death, while carrying a bomb destined for the Observatory, of her simpleton half-brother Stevie, the other innocent victim in a tale that Conrad invested with little political significance. The anarchists depicted in the book are composite characters drawn from several real people we have encountered already. The character of Verloc was indebted to the fact that Bourdin’s brother-in-law was a police agent as well as editor of an anarchist paper. Karl Yundt is based on Mikhail Bakunin and Johann Most. Michaelis is a fusion of the Fenians Edward O’Meagher Condon, who attacked the prison van in Manchester in 1867, and Michael Davitt, like Michaelis author