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Blue Mars - Kim Stanley Robinson [151]

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space over to an agency of the global government that didn’t exist. Senzeni Na wanted to fill their mohole. The Chinese were requesting permission to build an entirely new space elevator tethered near Schiaparelli Crater, to accommodate their own emigration, and contract out to others. Immigration was growing every month.

Nadia dealt with all these issues in half-hour increments scheduled by Art, and so the days passed in a blur. It got very difficult to stay aware that some of these matters were much more important than others. The Chinese, for instance, would flood Mars with immigrants if they got half a chance . . . and the Red ecoteurs were getting more outrageous; there had even been death threats made against Nadia herself. She now had escorts when she left her apartment, and the apartment was discreetly guarded. Nadia ignored that, and continued to work on the issues, and to work the council to keep a majority on her side in the votes that mattered to her. She established good working relations with Zeyk and Mikhail, and even with Marion. Things never went quite right with Ariadne again, however, which was a lesson learned twice; but learned well because of that.

So she did the job. But all the time she wanted off Pavonis. Art saw her patience get shorter by the day; she knew by his look that she was becoming crochety, crabby, dictatorial; she knew it, but could not help it. After meetings with frivolous or obstructionist people she often unleashed a torrent of vicious abuse, in a steady low cursing voice that Art obviously found unnerving. Delegations would come in demanding an end to the death penalty, or the right to build in the Olympus Mons caldera, or a free eighth spot on the executive council, and as soon as the door closed Nadia would say, “Well there’s a bunch of fucking idiots for you, stupid fools never even thought about tie votes, never occurred to them that taking someone else’s life abrogates your own right to live,” and so on. The new police captured a group of Red ecoteurs who had tried to blow up the Socket again, and in the process killed a security guard out of his position, and she was the hardest judge they had: “Execute them!” she exclaimed. “Look, you kill someone, you lose your right to live. Execute them or else exile them from Mars for life— make them pay in a way that really gets the rest of the Reds’ attention.”

“Well,” Art said uneasily. “Well, after all.” But on she raged. She couldn’t stop until she felt less angry. And Art could see that it was getting harder every time.

Flailing a bit himself, he recommended she start another conference, like the one in Sabishii she had missed; and make sure she made this one. Organizing the efforts of different organizations for a single cause; this was not really building, Nadia thought, but it looked like it would have to do.

The fight in Cairo had gotten her thinking about the hydrological cycle, and what would happen when the ice began to melt. If they could set up some kind of plan for a water cycle, even only an approximation, then it might go far toward reducing conflicts over water. So she decided to see what could be done.

As often happened these days when she thought about global issues, she found herself wanting to talk to Sax about it. The travelers to Earth were almost back now, close enough that transmission delay was insignificant, it was almost like having a normal wrist conversation. So Nadia spent evenings talking with Sax about terraforming. More than once he surprised her utterly; he did not hold the opinions she had imagined he would hold, he seemed always to be changing. “I want to keep things wild,” he said one night.

“What do you mean?” she asked.

His face took on the puzzled expression it wore when he was thinking hard. It was considerably longer than the transmission delay before he replied: “Many things. It’s a complicated word. But— I mean— I want to maintain the primal landscape, as much as possible.”

Nadia could censor out her laughter at this; but still Sax said, “What do you find amusing?”

“Oh nothing. It

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