Blue Mars - Kim Stanley Robinson [224]
As they continued north a turn in the coast hove over the horizon. Just beyond the point of the turn lay a seaside town, banked around a half-moon bay on the southern side of what they now saw was a strait, or more accurately a fjord, for across a narrow passage of water rose a wall even steeper than the slope they were on: three thousand meters of red rock rearing out of the sea, the giant cliff like the edge of a continent, its horizontal bands cut deep by a billion years of wind. Nirgal realized suddenly where they were; that massive cliff was the sea-facing escarpment of the Sharanov Peninsula, and the fjord therefore Kasei Fjord, and the harbor town therefore Nilokeras. They had come a long way.
The whistles between the hunters got very noisy and expressive. About half the group sat up— a crop of heads, sticking out over a field of stones, looking at each other as if an idea had struck them all at once— and then they stood and walked down the slope toward the town, abandoning the hunt and leaving the caribou heedlessly munching. After a while they skipped and hopped downslope, hooting and laughing, leaving the stretcher bearers and the injured boy behind.
They waited lower down, however, under tall Hokkaido pines on the outskirts of the town. When the stretcher group caught up, they descended through the pines and orchards together, into the upper streets of the town. A loud gang, passing fine window-fronted houses overlooking the crowded harbor, straight to a medical clinic, as if they knew where they were going. They dropped off the injured youth and then went to some public baths; and after a quick bath they went to the curve of businesses backing the docks, and invaded three or four adjacent restaurants with tables out under umbrellas, and strings of bare incandescent lightbulbs. Nirgal sat at a table with the youngsters, in a seafood restaurant; after a while the injured boy joined them, knee and calf wrapped, and they all ate and drank in huge quantities— shrimp, clams, mussels, trout, fresh bread, cheeses, peasant salad, liters of water, wine, ouzo— all in such excess that they staggered away when they were done, drunk, their stomachs taut as drums.
Some went immediately to what the butcher woman called their usual hostel, to lie down or throw up. The rest limped on past the building to a nearby park, where a performance of Tyndall’s opera Phyllis Boyle was to be followed by a dance.
Nirgal lay sprawled on the grass with the park contingent, out at the back of the audience. Like the rest he was awed by the facility of the singers, the sheer lushness of orchestral sound as Tyndall used it. When the opera was done some of the group had digested their feast enough to dance, and Nirgal joined them, and after an hour of dancing joined the band as well, with many other audience sit-ins; and he drummed away until his whole body was humming like the magnesium of the pans.
But he had eaten too much, and when some of the group returned to the hostel, he decided to go back with them. On their way back, some passersby said something—”Look at the ferals,” or something like that— and the spear thrower howled, and just like that he and some of the young hunters had pushed the passersby against a wall, shoving them and shouting abuse:”Watch your mouth or we’ll beat the shit out of you,” Spear Thrower shouted happily, “you caged rats, you drug addicts, you sleepwalkers, you fucking earthworms, you think you can take drugs and get what we get, we’ll kick your ass and then you’ll feel some real feeling, you’ll see what we mean,” and then Nirgal was pulling him back, saying “Come on, come on, don’t make trouble,” and the passersby were on them with a roar, hard-fisted and-footed men who were not drunk and were not amused, the young hunters had to retreat, then let themselves be pulled away by Nirgal when the passersby were satisfied at having driven them off; still shouting abuse, staggering up the street, holding their bruises, laughing and snarling, completely