Blue Mars - Kim Stanley Robinson [287]
Off to the west, the rugged peaks of the Hellespontus Montes began to poke over the waves, distant and small, very different in character from the smooth northern rise. So they had to be close. Maya climbed up farther in the shrouds. And there it was, on the rise of the northern slope— the topmost rows of parks and buildings, all green and white, turquoise and terra-cotta. And then the big bowed middle of town, like an enormous amphitheater looking down on the stage of the harbor, which came over the horizon white lighthouse first, then the statue of Arkady, then the breakwater, then the thousand masts of the marina, and the jumble of roofs and trees behind the stained concrete of the corniche seawall. Odessa.
She scampered down the shroud like a crew member, almost, and hugged a few of them and Michel, feeling herself grin, feeling the wind pour over them. They came into the harbor and the sails furled into their masts like touched snails. They puttered into a slip, and walked down a gang-plank, and along the dock, up through the marina and into the corniche park. And there they were. The blue trolley still clang-clanged on the street behind the park.
Maya and Michel walked down the corniche hand in hand, looking at all the food vendors and the small outdoor cafés across the street. All the names seemed new, not a single one the same, but that was restauranteering for you; they all looked much as they had before, and the city rising up terrace by terrace behind the seafront was just as they remembered it: “There’s the Odeon, there’s the Sinter—”
“That’s where I worked for Deep Waters, I wonder what they all do now?”
“I think maintaining sea level keeps a good number of them busy. There’s always some kind of water work.”
“True.”
And then they came to the old Praxis apartment building, its walls now mostly ivy-covered, the white stucco discolored, the blue shutters faded. In need of a bit of work, as Michel said, but Maya loved it that way: old. There on the third floor she spotted their old kitchen window and balcony, and Spencer’s there beside it. Spencer himself was supposed to be inside.
And they went in the gate, and said hello to the new concierge, and indeed Spencer was inside, sort of: he had died that afternoon.
5
It shouldn’t have mattered so much. Maya hadn’t seen Spencer Jackson in years, she had never seen that much of him, even when he lived next door; never known him at all well. No one had. Spencer was one of the least comprehensible of the First Hundred, which was saying a lot. His own man, his own life. And he had lived as part of the surface world under an assumed identity, a spy, working for the security gestapo in Kasei Vallis for almost twenty years, until the night they had blown the town away and rescued Sax, and Spencer as well. Twenty years as someone else, with a false past, and no one to talk to; what would that do to one? But then Spencer had always been withdrawn, private, self-contained. So maybe it hadn’t mattered as much to him. He had seemed all right in their years in Odessa, always in therapy with Michel of course, and a very heavy drinker at times; but easy to have as a neighbor, a good friend, quiet, solid, reliable in his ways. And he certainly had continued to work, his production with the Bogdanovist designers had never flagged, neither during his double life or after. A great designer. And his pen sketches were beautiful. But what would twenty years of duplicity do to you? Maybe all his identities had become assumed. Maya had never thought about it; she couldn’t imagine it; and now, packing Spencer’s things in his empty apartment, she wondered that she had