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By Root 2153 0

and more snared by the power of tragedy. She liked doing the political plays, which angry or hopeful tended to contain an innate utopianism, a drive for progress; but the plays that struck her as most true, and moved her most deeply, were the old Terran tragedies. And the more tragic the better. Catharsis as described by Aristotle seemed to work very well for her; she emerged from good performances of the great tragedies shattered, cleansed— somehow happier. They were the replacement for her fights with Michel, she realized one night— a sublimation, he would have said, and a good one at that— easier on him, of course, and more dignified all around, nobler. And there was that connection to the ancient Greeks as well, a connection being made in any number of ways all around Hellas Basin, in the towns and among the ferals, a neoclassicism that Maya felt was good for them all, as they confronted and tried to measure up to the Greeks’ great honesty, their unflinching look at reality. The Oresteia, Antigone, Electra, Medea, Agamemnon which should have been called Clytemnestra— those amazing women, reacting in bitter power to whatever strange fates their men inflicted on them, striking back, as when Clytemnestra murdered Agamemnon and Cassandra, then told the audience how she had done it, at the end staring out into the audience, right at Maya:

“Enough of misery! Start no more. Our hands are red.

Go home and yield to fate in time,

In time before you suffer. We have acted as we had to act.”

We have acted as we had to act. So true, so true. She loved the truth of these things. Sad plays, sad music— threnodies, gypsy tangos, Prometheus Bound, even the Jacobean revenge plays— the darker the better, really. The truer. She did the lighting for Titus Andronicus and people were disgusted, appalled, they said it was just a bloodbath, and by God she certainly used a lot of red spots— but that moment when the handless and tongueless Lavinia tried to indicate who had done it to her, or knelt to carry away Titus’s severed hand in her teeth, like a dog— the audience had been as if frozen; one could not say that Shakespeare had not had his sense of stagecraft right from the start, bloodbath or no. And then with every play he had gotten more powerful, more electifyingly dark and true, even as an old man; she had come out of a long harrowing inspired performance of King Lear in an elation, flushed and laughing, grabbing a young member of the lighting crew by the shoulder, shaking him, shouting “Was that not wonderful, magnificent?”

“Ka, Maya, I don’t know, I might have preferred the Restoration version myself, the one where Cordelia is saved and marries Edgar, do you know that one?”

“Bah! Stupid child! We have told the truth tonight, that is what is important! You can go back to your lies in the morning!” Laughing harshly at him and throwing him back to his friends, “Foolish youth!”

He explained to the friends: “It’s Maya.”

“Toitovna? The one in the opera?”

“Yes, but for real.”

“Real,” Maya scoffed, waving them away. “You don’t even know what real is.” And she felt that she did.

And friends came to town, visiting for a week or two; and then, as the summers got warmer and warmer, they took to spending one of the Decembers out in a beach village west of the town, in a shack behind the dunes, swimming and sailing and windsurfing and lying on the sand under an umbrella, reading and sleeping through the perihelion. Then back into Odessa, to the familiar comforts of their apartment and the town, in the burnished light of the southern autumn which was the longest season of the Martian year, also the approach to aphelion, day after day dimmer and dimmer, until aphelion came, on Ls 70, and between then and the winter solstice at Ls 90 was the Ice Festival, and they ice-skated on the white sea ice right under the corniche, looking up at the town’s seafront all drifted with snow, white under black clouds; or iceboating so far out on the ice that the town was just a break in the white curve of the big rim. Or eating by herself in steamy loud restaurants,