Blue Mars - Kim Stanley Robinson [345]
He understood. Off she went, with a wave. With a wave! And there was Coyote, over there near the salt pyramids so brilliant in the afternoon light. Feeling Mars’s gravity for the first time in decades, Sax hopped over to the little man. The only one of the First Hundred’s men who had been shorter than Sax. His brother in arms.
• • •
Stumbling here and there through his life, step-by-step shocked elsewhere, it was actually quite difficult to focus on Coyote’s asymmetrical face, faceted like Deimos— but there it was, most vibrantly there, pulsing it seemed with all its past shapes as well. At least Desmond had more or less resembled himself throughout. God knew what Sax looked like to the others, or what he would see if he looked in a mirror— the idea was dizzying, it might even be interesting to test it, look in a mirror while remembering something from his youth, the view might distort. Desmond, a Tobagonian of Indian descent, now saying something difficult to comprehend, something about rapture of the deeps, unclear if he was referring to the memory drug or to some nautical incident from his youth. Sax wanted so much to tell him that Hiroko was alive, but just as the words were on the tip of his tongue, he stopped himself. Desmond looked so happy at this moment; and he would not believe Sax. So it would only upset him. Knowledge by experience is not always translatable into discursive knowledge, which was a shame, but there it was. Desmond would not believe him because he had not felt that hand on his wrist. And why should he, after all?
They walked out toward Chernobyl, talking about Arkady and Spencer. “We’re getting old,” Sax said.
Desmond hooted. He still had a most alarming laugh— infectious, however, and Sax laughed too. “Getting old? Getting old?”
The sight of their little Rickover put them into paroxysms. Though it was pathetic as well, and brave, and stupid, and clever. Their limbic systems were overloaded still, Sax noted, jangling with all the emotions at once. All his past was coming clearer and clearer, in a kind of simultaneous overlay of sequences, each event with its unique emotional charge, now firing all at once: so full, so full. Perhaps fuller than the, the what— the mind? the soul?— fuller than it was capable of being. Overflowing, yes, that was the way it felt. “Desmond, I’m overflowing.”
Desmond only laughed harder.
His life had exceeded his capacity to feel it all at once. Except what was this, then, this feeling? A limbic hum, the roaring hum of the wind in conifers high in the mountains, lying in a sleeping bag at night in the Rockies, with the wind thrumming through the pine needles. . . . Very interesting. Possibly an effect of the drug, which would pass, although he was hoping that there were effects of the drug that would last, and who could say if this aspect might not as well, as an integral part of the whole? Thus: if you can remember your past, and it is very long, then you will necessarily feel very full, full of experiences and emotions, perhaps to the point where it might not be easy to feel much more. Wasn’t that possible? Or perhaps everything would feel more intensely than was appropriate; perhaps he had inadvertently turned them all into horribly sentimental people, stricken with grief if they stepped on an ant, weeping with joy at the sight of sunrise, etc. That would be unfortunate. Enough was enough, or more than enough. In fact Sax had always believed that the amplitude of emotional response exhibited in the people around him could be turned down a fair bit with no very great loss to humanity. Of course it wouldn’t work to try consciously to damp one’s emotions, that was repression, sublimation, with a resulting overpressure elsewhere. Curious how useful Freud’s steam-engine model of the mind remained, compression, venting, the entire apparatus, as if the brain had been designed by James Watt. But reductive models were