Blue Mars - Kim Stanley Robinson [73]
Art nodded as the natives explained these things to him, in the long kava-buzzed parties running deep into the night. People at these parties were in increasingly high spirits, as the congress was, they felt, going well. They did not take the debates among the issei very seriously; they were confident that their core beliefs would prevail. Mars would be independent, it would be run by Martians, what Earth wanted did not matter; beyond that, it was detail. Thus they went about their work in the committees without much attention paid to the philosophical arguments around the table of tables. “The old dogs keep growling,” said one message on the big message board; this seemed to express a general native opinion. And the work in the committees went on.
The big message board was a pretty good indicator of the mood of the congress. Art read it the way he read fortune cookies, and indeed one day there was one message that said, “You like Chinese food.” Usually the messages were more political than that. Often they were things said in the previous days of the conference: “No tent is an island.” “If you can’t afford housing then the right to vote is a bad joke.” “Keep your distance, don’t change speed, don’t run into anything.” “La salute non si paga.” Then there were things that had not been said: “Do unto others.” “The Reds have green roots.” “The Greatest Show on Earth.” “No Kings No Presidents.” “Big Man Hates Politics.” “However: We Are the Little Red People.”
• • •
So Art was no longer surprised when he was approached by people who spoke in Arabic or Hindi or some language he did not recognize, then looked him in the eye while their AI spoke in English with an accent from the BBC or Middle America or the New Delhi civil service, expressing some kind of unpredictable political sentiment. It was encouraging, really— not the translation AIs, which were just another kind of distancing, less extreme than teleparticipation but still not quite “talking face-to-face”— but the political melange, the impossibility of block voting, or of even thinking in the normal constituencies.
It was a strange congregation, really. But it went on, and eventually everyone got used to it; it took on that always-already quality that extended events often gain over their duration. But once, very late at night, after a long bizarre translated conversation in which the AI on the wrist of the young woman he was talking to spoke in rhymed couplets (and he never knew what language she was speaking to start with), Art wandered back through the warehouse toward his office suite, around the table of tables, where work was still going even though it was after the timeslip, and he stopped to say hi to one group; and then, momentum lost, slumped back against a side wall, half watching, half drowsing, his kavajava buzz nearly overwhelmed by exhaustion. And the strangeness came back, all at once. It was a kind of hypnagogic vision. There were shadows in the corners, innumerable flickering shadows; and eyes in the shadows. Shapes, like insubstantial bodies: all the dead, it suddenly seemed, and all the unborn all there in the warehouse with them, to witness this moment. As if history were a tapestry, and the congress the loom where everything was coming together, the present moment with its miraculous thereness, its potential right in their own atoms,