Bones in London - Edgar Wallace [31]
“Sit down, my dear Mr Becksteine,” said Bones. “Let me introduce you to my partner, Captain Hamilton, DSO – a jolly old comrade-in-arms and all that sort of thing. My lady typewriter you know, and anyway, there’s no necessity for your knowing her – I mean,” he said hastily, “she doesn’t want to know you, dear old thing. Now, don’t be peevish. Ham, you sit there. Becksteine will sit there. You, young miss, will sit near me, ready to take down my notes as they fall from my ingenious old brain.”
In the bustle and confusion the embarrassing moment of Hamilton’s introduction was forgotten. Bones had a manuscript locked away in the bottom drawer of his desk, and when he had found the key for this, and had placed the document upon the table, and when he had found certain other papers, and when the girl was seated in a much more comfortable chair – Bones fussed about like an old hen – the proceedings began.
Bones explained.
He had seen the derelict cinema company advertised in a technical journal, had been impressed with the amount of the impedimenta which accompanied the proprietorship of the syndicate, had been seized with a brilliant idea, bought the property, lock, stock, and barrel, for two thousand pounds, for which sum, as an act of grace, the late proprietors allowed him to take over the contract of Mr Lew Becksteine, that amiable and gifted producer.
It may be remarked, in passing, that this arrangement was immensely satisfactory to the syndicate, which was so tied and bound to Mr Becksteine for the next twelve months that to have cancelled his contract would have cost them the greater part of the purchase price which Bones paid.
“This is the story,” said Bones impressively. “And, partner Ham, believe me, I’ve read many, many stories in my life, but never, never has one touched me as this has. It’s a jolly old tear-bringer, Ham. Even a hardened, wicked old dev— old bird like you would positively dissolve. You would really, dear old Ham, so don’t deny it. You know you’ve got one of the tenderest hearts in the world, you rascal!”
He got up and shook hands with Hamilton, though there was no necessity for him to move.
“Now, clever old Becksteine thinks that this is going to be a scorcher.”
“A winner, a winner,” murmured Mr Becksteine, closing his eyes and shaking his head. He spoke on this occasion very softly, but he could raise his voice to thrilling heights. “A sure winner, my dear sir. I have been in the profession for twenty-seven years, and never in my life have I read a drama which contains so much heart appeal–”
“You hear?” said Bones in a hoarse whisper.
“–so much genuine comedy–”
Bones nodded.
“–so much that I might say goes straight to the passionate heart of the great public, as this remarkable, brilliantly planned, admirably planted, exquisitely balanced little cameo of real life.”
“It’s to be a two-roller,” said Bones.
“Reeler,” murmured Mr Becksteine.
“Reeler or roller, dear old thing; don’t let’s quarrel over how a thing’s spelt,” said Bones.
“Who wrote it?” asked Hamilton.
Mr Becksteine coughed modestly.
“Jolly old Becksteine wrote it,” said Bones. “That man, Ham, is one of the most brilliant geniuses in this or any other world. Aren’t you? Speak up, old playwright. Don’t be shy, old thing.”
Mr Becksteine coughed again.
“I do not know anything about other worlds,” he admitted.
“Now, this is my idea,” said Bones, interrupting what promised to be a free and frank admission of Mr Becksteine’s genius. “I’ve worked the thing out, and I see just how we can save money. In producing two-roller cinematographs – that’s the technical term,” explained Bones, “the heavy expense is with the artistes. The salaries that these people are paid! My dear old Ham, you’d never believe.”
“I don’t see how you can avoid paying salaries,” said Hamilton patiently. “I suppose even actors have to live.”
“Ah!” said Mr Becksteine, shaking