Bones in London - Edgar Wallace [57]
“I’m blessed if I know,” he said.
“Shall I tell you what you must do?” asked Hamilton quietly.
“Certainly, Ham, my wise old counsellor,” said the cheerful Bones. “Certainly, by all means. Why not?”
“You must go to Miss Whitland and tell her all about it.”
Bones’ face fell.
“Good Heavens, no!” he gasped. “Don’t be indelicate, Ham! Why, she might never forgive me, dear old thing! Suppose she walked out of the office in a huff? Great Scotland! Great Jehoshaphat! It’s too terrible to contemplate!”
“You must tell her,” said Hamilton firmly. “It’s only fair to the girl to know exactly what is hanging over her.”
Bones pleaded, and offered a hundred rapid solutions, none of which were acceptable to the relentless Hamilton.
“I’ll tell her myself, if you like,” he said. “I could explain that they’re just the sort of things that a silly ass of a man does, and that they were not intended to be offensive – even that one about her lips being like two red strips. Strips of what – carpet?”
“Don’t analyse it, Ham, lad, don’t analyse it!” begged Bones. “Poems are like pictures, old friend. You want to stand at a distance to see them.”
“Personally I suffer from astigmatism,” said Hamilton, and read the poems again. He stopped once or twice to ask such pointed questions as how many “y’s” were in “skies,” and Bones stood on alternate feet, protesting incoherently.
“They’re not bad, old boy?” he asked anxiously at last. “You wouldn’t say they were bad?”
“Bad,” said Hamilton in truth, “is not the word I should apply.”
Bones cheered up.
“That’s what I think, dear ex-officer,” he smirked. “Of course, a fellow is naturally shy about maiden efforts, and all that sort of thing, but, hang it all, I’ve seen worse than that last poem, old thing.”
“So have I,” admitted Hamilton, mechanically turning back to the first poem.
“After all” – Bones was rapidly becoming philosophical – “I’m not so sure that it isn’t the best thing that could happen. Let ’em print ’em! Hey? What do you say? Put that one about young Miss Marguerite being like a pearl discovered in a dustbin, dear Ham, put it before a competent judge, and what would he say?”
“Ten years,” snarled Hamilton, “and you’d get off lightly!”
Bones smiled with admirable toleration, and there the matter ended for the moment.
It was a case of blackmail, as Hamilton had pointed out, but, as the day proceeded, Bones took a more and more lenient view of his enemy’s fault. By the afternoon he was cheerful, even jocose, and, even in such moments as he found himself alone with the girl, brought the conversation round to the subject of poetry as one of the fine arts, and cunningly excited her curiosity.
“There is so much bad poetry in the world,” said the girl on one such occasion, “that I think there should be a lethal chamber for people who write it.”
“Agreed, dear old tick-tack,” assented Bones, with an amused smile. “What is wanted is – well, I know, dear old miss. It may surprise you to learn that I once took a correspondence course in poetry writing.”
“Nothing surprises me about you, Mr Tibbetts,” she laughed.
He went into her office before leaving that night. Hamilton, with a gloomy shake of his head by way of farewell, had already departed, and Bones, who had given the matter very considerable thought, decided that this was a favourable occasion to inform her of the amusing efforts of his printer correspondent to extract money.
The girl had finished her work, her typewriter was covered, and she was wearing her hat and coat. But she sat before her desk, a frown on her pretty face and an evening newspaper in her hand, and Bones’ heart momentarily sank. Suppose the poems had been given to the world?
“All the winners, dear old miss?” he asked, with spurious gaiety.
She looked up with a start.
“No,” she said. “I’m rather worried, Mr Tibbetts. A friend of my step-father’s has got into trouble again, and I’m anxious lest my mother should have any trouble.”
“Dear, dear!” said the sympathetic Bones. “How disgustingly annoying! Who’s the dear old friend?”
“A man named