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Book of Sketches - Jack Kerouac [24]

By Root 364 0
what,

— old tottering tall bum

in plaid shirt with

squinty look of bewilderment

— old painter

bum in white coveralls

struggles thru door —

men with hats, coats, hands

a pockets, sauntering — some

of em weatherbeaten, hard,

rough looking, Canyon City

was their most recent

home —

Glenarm poolhall —

rubber floor full of

holes, boards show — ancient

lost linoleum under —

tables have hanging baskets

like balls — Pederson’s —

old tin panel ceiling,

tan color — cue racks —

pissery in corner hid by

partition — greentop card

tables where Holmes

in bleak poolhall time

sat dealing blearfaced

& grim — “Onlooker’s

bench” pale green, high,

sand jars — Candy

counter, open phone

booth panels, juke —

parkinglot across street —

Denver Bears on

summernight radio —

click, bounce balls on

hard, laughs, “God-damn!”

— husky voices — Stomp of

feet angling around tables

— shuffle of shoes —

“Let’s go, let’s go!” —

voices of adolescents —

crash of break — “Shhhhhit”

— impatient knock of

cuestick on floor —

bop — click of ball

in basket — pocket —

Blackboard near counter

— groups of voices,

Street — Hotel DeWitt

— flash of liquor store

neons — Drake (blue)

hotel (red) down right,

cold — Bright orange

Chinese neons up left of

city center — Denver

Auto Park, lot, old redbrick

Hotel Southard one wall,

DeWitt (brownbrick white

bordered) other — over

head wire bulbs in lot —

Above poolhall Acme Hearing

Aid Co. whitewashed brick

— barber pole — (left)

Hotel Glenarm pink neon

on redbrick (right) —

Mirobar corner — (flashing) —

Counter — old bronze gilded

cash register — framed

licenses near coathanger

hooks — dark brown cabinet

— cigar counter with Tops,

White Owls, Red Dot — El

Producto — King Edward —

signs in entrance glass sides

low Coca Cola, Whistle

Oh Lord in heaven above

what a holy moment, coming

to Neal & Carolyn’s house in

the gray fog day of San

Jose, nobody in, the 9

room sadhouse, the old

Green Clunker filled with

California Autumnal leaves

like the prophetic old

birdhouse wreck of old

travels & sorrows — & finding

all alone in the house

Eternal house little John

blond & beautiful as an

Angel, taking him up,

a spot of Tokay, sit

by the radio with him

& have there on my

lap all that’s left

of my life, as if he

were my blood son.

And he looks just like

Carolyn — how sad

the ten-balled years,

how toppled the pin

of myself — what

Gray Sorrows of Autumn

for this sailing soul

— and for Cassadys,

nothing but love &

attention — bearded

doom boy Jack in Old

Jose, walked from

Easonburg Carolina —

with $5 — & came

to the Angel child that

was not afraid of the

Shroudy Stranger.

FRISCO Embarcadero Sept 8

Cold fog winds blowing

from the wreathed hills

of houses, I can see

the blazing fog shagging

over from old Potato Patch

in a cold whipped blue

— bay waters clear to

Oakland are ripple & keen

blue & cold looking — the

wind even whistles — The

majestic Mormacgulf with

her creamy white masts

& rigging in the pure blue

sits before me, a rusty

redpaint waterline on

the green Jack London

swell of old piers —

Cold wind brings hints of

all the good food in Frisco

(& maybe all the love,

& surely all the hate) —

Mormacgulf is tied

with great cables, a

ratguard broke loose near

the bowsprit canvas and

bangs like a tin pan

in the wind — Water

rushes gushing from a low

scupper — In the water

is bread, a leaf of cabbage,

a butt —

SP train at night

The local — sweetsmelling

night soots — crashby

dingdang of opposite

train — the pink neons

of Calif., the cocktail-

glass-&-mixer neon of

the ginmills — The hills

of supper lights — the

blear of fogs in from the

brown gaps — blear of

lights — Redwood City to

Atherton, clear, clean

night, with magic stars

riding the dark over the

homes of the railroad

earth — plenty time —

I must believe in the lives

of people & the history of

their reality — I must become

a historian —

observe the history of society

& write histories of the world

in wild

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