Books Do Furnish a Room - Anthony Powell [23]
By this time the bearers were showing decided strain from the weight of the coffin. They had reached a stage about halfway up the aisle, and were going fairly slowly. Suddenly a commotion began to take place in one of the pews opposite this point. Pamela was attempting to make her way out. Her naturally pale face was the colour of chalk. She had already thrust past Alfred Tolland and Quiggin, but Widmerpool, an absolutely outraged expression on his face, stepped quickly from the pew behind to delay her.
‘I’m feeling faint, you fool. I’ve got to get out of here.’
She spoke in quite a loud voice. Widmerpool seemed to make a momentary inner effort to decide for himself the degree of his wife’s indisposition, whether she were to be humoured or not, but she pushed him aside so violently that he nearly fell. As she hurried into the aisle he recovered himself, for a second made as if to follow her, then decided against any such action. Had he seriously contemplated pursuit, there had been in any case too great delay. Although Pamela herself managed to skirt the procession advancing with the coffin, it was doubtful whether anyone of more considerable bulk could have freely negotiated the available space in the same manner, especially after the disruption caused. She had brushed past the vicar so abruptly that he gasped and lost the thread of his words. A second later the bearers, recovering themselves, were level with Widmerpool, blocking his own egress from the pew. Pamela’s heels clattered away down the flags. When she reached the door, there was difficulty in managing the latch. It gave out discordant rattles; then a creak and loud slam.
‘My God,’ said Norah.
She spoke the words softly. They recalled her own troubles with Pamela. The service continued. I tried to recompose the mind by returning to Ralegh and Herbert. ‘Whom none should advise, thou hast persuaded.’ Was that true of everyone who died? Of Erridge, eminently true: true too, in its way, of Stringham and Templer: to some extent of Barnby: not at all true of George Tolland: yet, after all, was it true of him too? I thought of the Portraits of Ralegh, stylized in ruff, short cloak, pointed beard, fierce look. ‘All the pride, cruelty and ambition of men.’ Ralegh knew the form. Still, Herbert was good too. I wondered what Herbert had looked like. In the end one got back to Burton’s ‘vile rock of melancholy, a disease so frequent, as few there are that feel not the smart of it’. Melancholy was so often the explanation, anyway melancholy in Burton’s terms. The bearers took up the coffin once more. The recession was slow, though this time uninterrupted.
‘I hope old Skerrett will be all right,’ whispered Isobel. ‘He looked white as a sheet when he passed.’
‘Whiter than Mrs Widmerpool?’
‘Much whiter.’
Outside, the haze had thickened. The air struck almost warm after the church. Rain still fell in small penetrating drops. The far corner of the churchyard was occupied with an area of Tolland graves: simple headstones: solid oblong blocks of stone with iron railings: crosses, two unaccountably Celtic in design: one obelisk. Norah, who had never got on at all well with her eldest brother, was in convulsions of tears, the other sisters dabbing with their handkerchiefs. There was no sign of Pamela in the porch. The mourners processed to the newly dug grave. The old parson, his damp surplice clinging like a shroud, refused to be hurried by the elements. He took what he was doing at a thoroughly leisurely pace. There seemed no reason why the funeral should ever end. Then, all at once, everything was over. The mourners began to move slowly, rather uncomfortably away.
‘I’ll just have a word with Skerrett,’ said Isobel. ‘He’s looking better now. Meet you at the gate.’
Before I reached the lychgate, a tall,