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Books Do Furnish a Room - Anthony Powell [90]

By Root 2941 0
Trapnel used to talk about its complexities. For example, even to arrange in the mind, much less on paper, the events leading up to the demise of Fission after a two-year run, the swallowing up (by the larger publishing house of which Clapham was chairman) of the firm of Quiggin & Craggs, demanded an effective grasp of narrative ‘priorities’.

Looking out between the pillars at the raindrops glinting on the cobbles of a broad open space, turning the whole thing over in the mind, much seemed to me inevitable, as always contemplating the past. At the same time, although many things had gone wrong, several difficulties had been successfully surmounted. For instance, the prosecution of Sweetskin had been parried; the verdict, ‘Not Guilty’. Nevertheless, the case had cost money, caused a lot of worry to the directors. Alaric Kydd himself had been so certain that he would be sent to prison for uttering an obscene work that he let his flat on rather good terms for eighteen months; later finding difficulty in obtaining satisfactory alternative accommodation. He was also wounded by the tone of voice – certainly a very silly one – in which prosecuting counsel read aloud in court certain passages from his novel.

More damaging to the firm in a way, though morally rather than financially, was the Sad Majors affair. Bagshaw leaked an account of that. He had come back to the office in a restless, resentful mood after his bout of flu, according to Ada, spending the first forty-eight hours of convalescence drinking, then retiring to bed again for a further day before settling down. Whether or not he had deliberately kept the Trapnel parody ‘on the spike’ for use at the most appropriate occasion was never cleared up. Most probably, as in previous episodes of Bagshaw’s history, an infallible instinct for causing trouble had brought guidance without need of exact knowledge. Widmerpool appeared to have made no complaint to the board. He remained out of touch with Quiggin & Craggs long after the Court Circular announced his return from the People’s Republic, where he had been paying his visit. No doubt he was busy with parliamentary affairs. There was in any case not much he could do. If Fission had not ceased publication, Bagshaw’s contract would in any case have run out. He had dropped hints that he himself wanted to move. No one was going to stand in his way. The fact was that Bagshaw was by now attracted by the promise of helping to open up the still mainly unexplored eldorado of television.

Bagshaw took pleasure in elaborating the Odo Stevens story. He did not like Stevens as a man, but admired him as an adventurer. They used to meet when Stevens from time to time looked into the Fission office to see if there were a book to review. Stevens had developed an additional contact with the magazine on account of his association with Rosie Manasch. Never backward at publicizing his successes, he did not at present convey more than that he had an ally in that quarter. If Rosie had decided she needed relaxation with a man considerably younger than herself, she was agreed to have had a distressing time in many ways, and Stevens, whatever his failings, had the advantage of being a figure not to be taken too seriously. Both parties were judged well able to look after themselves. That was how it seemed at the time. However, even at an early stage the relationship was sufficiently strong to play a part in the Quiggin & Craggs upheaval. This came about when the Sad Majors controversy, simmering for some little while, took aggressive shape. Bagshaw, always interested in a row of this sort, was ravished by a move now made.

‘You can’t help admiring the way Gypsy does things. Good old hard-core stuff. You know the trouble about the Stevens book – thought to bring discredit on the Party. Gypsy’s performed one of those feats that most people don’t think of on account of their ruthless simplicity. She has quite simply liquidated the manuscript. Both copies.’

‘Aren’t there more than two copies?’

‘Apparently not.’

‘How did she get hold of them?’

‘After

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