Online Book Reader

Home Category

Boredom - Alberto Moravia [118]

By Root 692 0
always the bare fact, unalterable and indestructible, that Cecilia went to bed with Luciani and that as long as she went on doing so I should not be able to possess her because incomplete possession is a contradiction in terms. At least Cecilia might have tried to make me forget the incompleteness of my possession! But, confident that she had found a final solution to the problem of the simultaneous presence of two men in her life, not only did she talk to me freely and casually about her relations with the actor, but she did not even trouble to conceal from me the physical traces that Luciani’s lovemaking left upon her. There was no particular self-satisfaction or cruelty in her voice when, in answer to my question, she replied indifferently: “Oh, that was Luciani, he bit me,” or again: “Luciani made this white mark on my dress; we made love without undressing”; there was rather the serenity of a person who finds it easier and more convenient to tell the truth than to invent lies. Cecilia was so convinced that this sharing of her favors had now ceased to cause me any pain that she went so far as to make appointments with Luciani on the telephone in my presence, and then asked me to go with her to his house. In the end, one day when I was actually taking her in the car to Via Archimede, where Luciani was expecting her, she said to me suddenly: “I should like you and Luciani to meet and make friends.” I said nothing; but I reflected that a world made according to Cecilia’s notions would be very different from the one in which we lived—a promiscuous world, without boundaries or contours, shapeless, casual and unreal, in which all the women belonged to all the men and no woman had only one man.

But I was suffering. And gradually, through this suffering, there came to me at last an extravagant idea which I was astonished not to have had before: possibly the only way in which I could set myself free from Cecilia—that is, possess her truly and consequently become bored with her—was to marry her. I had not succeeded in becoming bored with Cecilia by having her as a mistress; but I was almost sure that I would be bored with her once she had become my wife. Thus the idea of marriage began to attract me more and more, but with a prospect completely different from the one that generally smiles upon a man preparing to get married; the latter cherishes the dream of an endless love; but it was the opposite kind of dream, a dream of the end of love, that smiled upon me. I took pleasure in imagining that, once she was married, Cecilia would turn into an ordinary wife, full of domestic and social occupations, satisfied, without mystery; that in fact she would become, as they say, “settled.” It was possible that her present elusiveness was nothing more than an expression of matrimonial ambitions; perhaps she was searching instinctively among her lovers for a husband with whom she might pause and be quiet. I planned to marry her with every sort of religious and social ceremony, and after marriage make her have a large number of children, who would also play a part in ordering her life and confining her to the far from enigmatic role of motherhood.

It may be thought that this idea of employing matrimony where a physical relationship and money had both failed was absurd, and anyhow inadequate. Like burning down one’s house to light a cigarette. But I had severed all bonds with any kind of society, especially with the world in which my mother moved. In this lack of all roots and responsibilities, in this utter void created by boredom, marriage, for me, was something dead and meaningless; and in this way it would at least serve some purpose.

Naturally I counted upon going to live, as soon as I was married, in the villa on the Via Appia, with my wife and my mother. Matrimony, the villa, my mother, my mother’s world—all these were parts of the diabolical machine into which Cecilia would enter as a charming, enigmatic demon and from which she would issue as an ordinary, middle-class married woman.

Moreover the idea of marriage had come to me

Return Main Page Previous Page Next Page

®Online Book Reader