Boredom - Alberto Moravia [118]
But I was suffering. And gradually, through this suffering, there came to me at last an extravagant idea which I was astonished not to have had before: possibly the only way in which I could set myself free from Cecilia—that is, possess her truly and consequently become bored with her—was to marry her. I had not succeeded in becoming bored with Cecilia by having her as a mistress; but I was almost sure that I would be bored with her once she had become my wife. Thus the idea of marriage began to attract me more and more, but with a prospect completely different from the one that generally smiles upon a man preparing to get married; the latter cherishes the dream of an endless love; but it was the opposite kind of dream, a dream of the end of love, that smiled upon me. I took pleasure in imagining that, once she was married, Cecilia would turn into an ordinary wife, full of domestic and social occupations, satisfied, without mystery; that in fact she would become, as they say, “settled.” It was possible that her present elusiveness was nothing more than an expression of matrimonial ambitions; perhaps she was searching instinctively among her lovers for a husband with whom she might pause and be quiet. I planned to marry her with every sort of religious and social ceremony, and after marriage make her have a large number of children, who would also play a part in ordering her life and confining her to the far from enigmatic role of motherhood.
It may be thought that this idea of employing matrimony where a physical relationship and money had both failed was absurd, and anyhow inadequate. Like burning down one’s house to light a cigarette. But I had severed all bonds with any kind of society, especially with the world in which my mother moved. In this lack of all roots and responsibilities, in this utter void created by boredom, marriage, for me, was something dead and meaningless; and in this way it would at least serve some purpose.
Naturally I counted upon going to live, as soon as I was married, in the villa on the Via Appia, with my wife and my mother. Matrimony, the villa, my mother, my mother’s world—all these were parts of the diabolical machine into which Cecilia would enter as a charming, enigmatic demon and from which she would issue as an ordinary, middle-class married woman.
Moreover the idea of marriage had come to me