Borrower of the Night - Elizabeth Peters [8]
I hadn’t made any plans for the summer. If Riemenschneider’s shrine still existed, anywhere on the face of the earth, there was one obvious place in which to look for it. And there was nothing to prevent me from looking.
I had reached that point in my meditations when we skidded into a gatepost, bounced off, and continued along a dark, tree-lined drive. We had arrived, only half an hour late.
I was prepared to dislike Jacob Myers on sight, the way we always hate people who have more money than we do. He was bald and fat. His stomach hung out over his cummerbund. He came up to my chin. He had the mouth of a shark and the eyes of a poet. I felt an immediate rapport – with the shark, as well as the poet.
Myers’ house was something of a surprise. I knew his reputation as an art patron and collector, but that didn’t mean he had good taste; rich people can afford to buy taste. In size and sheer opulence the house was what I had expected, but the overall impression was unorthodox. The most unexpected objects were juxtaposed and somehow they looked right together. They had only one thing in common. They were all beautiful, from the faded Persian rug on the dining-room floor to the little glazed blue pot on the table. I recognized the pot by its glaze; one of the girls in the college makes them as a hobby, and they sell, in local specialty shops, for about six bucks.
Jake – he told me to call him that – answered the door himself. There was a butler. Jake called him Al, and so did Tony. He looked like a heavyweight boxer and addressed me in tones reminiscent of Sir Laurence Olivier. I was staggering slightly as Jake led us into the living room, bawling out orders for cocktails as we went.
It would take a couple of chapters to describe that living room, so I won’t try. There were more Persian rugs – I hated to walk on them – and pictures that could have hung in the Uffizi. There was also a man. He rose from a chair by the hearth as we entered. I had plenty of time to study him as we marched from the door to the fireplace; the room was about sixty feet long.
He was a big man. The breadth of his shoulders and chest made Tony look like an adolescent. He had crisp auburn hair, cut shorter than is fashionable, and his features were more notable for strength than harmony. He radiated animal vitality, plus that indescribable air of – how do I describe it? Competence is the word that comes to mind. He looked like a man who could do anything, and do it well. But maybe I was reading things into his face. I knew him, even before Jake introduced us. He told me to call him George. Everybody was very matey that night – everybody but Tony. He hadn’t expected this guest, and didn’t bother concealing his lack of enthusiasm.
‘Hi, Nolan,’ he said. ‘Climbed any more mountains lately?’
‘Not since Everest,’ said George, his smile broadening.
As a put-down, it was pretty good. He had climbed Everest. He had also won the amateur tennis singles and sailed the Atlantic in a one man canoe, or a raft, or some stupid thing. Sports Illustrated loved to feature his activities. Certain less naïve publications had described other aspects of his expeditions – the Sherpa who didn’t get back down Everest, the animals whose pelts and heads decorated Nolan’s walls in defiance of protective laws.
I wondered at first how such disparate personalities as George and Jake Myers had become acquainted. As the conversation proceeded, I realized that it was not business or social interests that made them friends, but a common passion. They were both art collectors, and the rivalry between them added to the appeal of beauty for its own sake. Jake was brutally frank about the rivalry. No sooner had we been served with drinks than he burst out in a childish explosion of spleen. George had beaten him out in acquiring a van der Weyden painting, and the loss