Boyhood in Norway [57]
been more miserable than Grim was when a succession of holidays, like Easter or Christmas, compelled him to be idle.
When his son was born his chief delight was to think of the time when he should be old enough to handle a tool, and learn the secrets of his father's trade. Therefore, from the time the boy was old enough to sit or to crawl in the shavings without getting his mouth and eyes full of sawdust, he gave him a place under the turning bench, and talked or sang to him while he worked. And Bonnyboy, in the meanwhile amused himself by getting into all sorts of mischief. If it had not been for the belief that a good workman must grow up in the atmosphere of the shop, Grim would have lost patience with his son and sent him back to his mother, who had better facilities for taking care of him. But the fact was he was too fond of the boy to be able to dispense with him, and he would rather bear the loss resulting from his mischief than miss his prattle and his pretty dimpled face.
It was when the child was eighteen or nineteen months old that he acquired the name Bonnyboy. A woman of the neighborhood, who had called at the shop with some article of furniture which she wanted to have mended, discovered the infant in the act of investigating a pot of blue paint, with a part of which he had accidentally decorated his face.
"Good gracious! what is that ugly thing you have got under your turning bench?" she cried, staring at the child in amazement.
"No, he is not an ugly thing," replied the father, with resentment; "he is a bonny boy, that's what he is."
The woman, in order to mollify Grim, turned to the boy, and asked, with her sweetest manner, "What is your name, child?"
"Bonny boy," murmured the child, with a vaguely offended air--"bonny boy."
And from that day the name Bonnyboy clung to him.
II.
To teach Bonnyboy the trade of a carpenter was a task which would have exhausted the patience of all the saints in the calendar. If there was any possible way of doing a thing wrong, Bonnyboy would be sure to hit upon that way. When he was eleven years old he chopped off the third joint of the ring-finger on his right hand with a cutting tool while working the turning-lathe; and by the time he was fourteen it seemed a marvel to his father that he had any fingers left at all. But Bonnyboy persevered in spite of all difficulties, was always cheerful and of good courage, and when his father, in despair, exclaimed: "Well, you will never amount to anything, Bonnyboy," he would look up with his slow, winning smile and say:
"Don't worry, father. Better luck next time."
"But, my dear boy, how can I help worrying, when you don't learn anything by which you can make your living?"
"Oh, well, father," said Bonnyboy, soothingly (for he was beginning to feel sorry on his father's account rather than on his own), "I wouldn't bother about that if I were you. I don't worry a bit. Something will turn up for me to do, sooner or later."
"But you'll do it badly, Bonnyboy, and then you won't get a second chance. And then, who knows but you may starve to death. You'll chop off the fingers you have left; and when I am dead and can no longer look after you, I am very much afraid you'll manage to chop off your head too."
"Well," observed Bonnyboy, cheerfully, "in that case I shall not starve to death."
Grim had to laugh in spite of himself at the paternal way in which his son comforted him, as if he were the party to be pitied. Bonnyboy's unfailing cheerfulness, which had its great charm, began to cause him uneasiness, because he feared it was but another form of stupidity. A cleverer boy would have been sorry for his mistakes and anxious about his own future. But Bonnyboy looked into the future with the serene confidence of a child, and nothing under the sun ever troubled him, except his father's tendency to worry. For he was very fond of his father, and praised him as a paragon of skill and excellence. He lavished an abject admiration on everything he did and said. His dexterity in the use
When his son was born his chief delight was to think of the time when he should be old enough to handle a tool, and learn the secrets of his father's trade. Therefore, from the time the boy was old enough to sit or to crawl in the shavings without getting his mouth and eyes full of sawdust, he gave him a place under the turning bench, and talked or sang to him while he worked. And Bonnyboy, in the meanwhile amused himself by getting into all sorts of mischief. If it had not been for the belief that a good workman must grow up in the atmosphere of the shop, Grim would have lost patience with his son and sent him back to his mother, who had better facilities for taking care of him. But the fact was he was too fond of the boy to be able to dispense with him, and he would rather bear the loss resulting from his mischief than miss his prattle and his pretty dimpled face.
It was when the child was eighteen or nineteen months old that he acquired the name Bonnyboy. A woman of the neighborhood, who had called at the shop with some article of furniture which she wanted to have mended, discovered the infant in the act of investigating a pot of blue paint, with a part of which he had accidentally decorated his face.
"Good gracious! what is that ugly thing you have got under your turning bench?" she cried, staring at the child in amazement.
"No, he is not an ugly thing," replied the father, with resentment; "he is a bonny boy, that's what he is."
The woman, in order to mollify Grim, turned to the boy, and asked, with her sweetest manner, "What is your name, child?"
"Bonny boy," murmured the child, with a vaguely offended air--"bonny boy."
And from that day the name Bonnyboy clung to him.
II.
To teach Bonnyboy the trade of a carpenter was a task which would have exhausted the patience of all the saints in the calendar. If there was any possible way of doing a thing wrong, Bonnyboy would be sure to hit upon that way. When he was eleven years old he chopped off the third joint of the ring-finger on his right hand with a cutting tool while working the turning-lathe; and by the time he was fourteen it seemed a marvel to his father that he had any fingers left at all. But Bonnyboy persevered in spite of all difficulties, was always cheerful and of good courage, and when his father, in despair, exclaimed: "Well, you will never amount to anything, Bonnyboy," he would look up with his slow, winning smile and say:
"Don't worry, father. Better luck next time."
"But, my dear boy, how can I help worrying, when you don't learn anything by which you can make your living?"
"Oh, well, father," said Bonnyboy, soothingly (for he was beginning to feel sorry on his father's account rather than on his own), "I wouldn't bother about that if I were you. I don't worry a bit. Something will turn up for me to do, sooner or later."
"But you'll do it badly, Bonnyboy, and then you won't get a second chance. And then, who knows but you may starve to death. You'll chop off the fingers you have left; and when I am dead and can no longer look after you, I am very much afraid you'll manage to chop off your head too."
"Well," observed Bonnyboy, cheerfully, "in that case I shall not starve to death."
Grim had to laugh in spite of himself at the paternal way in which his son comforted him, as if he were the party to be pitied. Bonnyboy's unfailing cheerfulness, which had its great charm, began to cause him uneasiness, because he feared it was but another form of stupidity. A cleverer boy would have been sorry for his mistakes and anxious about his own future. But Bonnyboy looked into the future with the serene confidence of a child, and nothing under the sun ever troubled him, except his father's tendency to worry. For he was very fond of his father, and praised him as a paragon of skill and excellence. He lavished an abject admiration on everything he did and said. His dexterity in the use