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Brain Ships - Anne McCaffrey [241]

By Root 859 0
see of the cargo bay.

"And what can I do for you?" Nancia asked icily.

"Drone OG-48, you are harboring an escaped prisoner," the guard said. "Return him to our custody now, or it'll be the worse for you. Your owner won't approve this, you know."

Nancia managed an icy laugh that chilled her own sensors. "This is not a drone. You'll meet us in good time. As for that diseased bundle of rags that begged entrance, it has been disposed of appropriately. It looked as if it had Capellan jungle rot and Altair plague—not to mention Old Earth lice. Did you think we'd leave something like that cluttering up this nice clean ship?"

"Don't try to lie to me," the guard warned. "This ship has been under surveillance from the moment of landing. The prisoner has not left the ship."

"Who said anything about leaving? There are its clothes—if you can call those rags clothes," Nancia added disparagingly. She slid the cargo doors open another ten inches, just enough to let the guard squeeze in edgewise. "And here's the rest of your fugitive." She opened the disposal slot and extruded the contents. A pitiful little heap of organic ash, partially burnt protein, and charred bone fragments spilled out onto the tray. The guard stepped back, every line of his body expressing horror. Nancia wished she could see his face behind the silver permafilm and the finely woven breath mesh.

"What's the matter?" she inquired. "He was dying anyway, you know."

The guard stumbled towards the doors, making retching sounds behind his mask. "I thought de Gras-Waldheim was a cold one," he said between gagging noises, "but you OG Shipping types are worse yet."

Nancia's last and most spine-chilling laugh followed him out onto the landing pad.

"Don't you want to take the remains back?" she called after him.

She slammed the cargo doors shut before he could answer, just in case he overcame his distaste and came back for the "remains." It would never do to let a lab get hold of the synthesized "bone" and algal-protein "flesh" that she had first created, then charred in the incinerator.

CHAPTER FIFTEEN

"Stimpad! Drug stores!" Alpha snapped over her shoulder. Nancia silently extruded the required equipment from her medtech drawers. Alpha's slim dark fingers darted among the ampules supplied and loaded the pad with a combination of drugs. Nancia recognized a general nervous stimulant, a breathing regulator, and at least two kinds of anesthetic.

"Er—are you sure those will work all right in combination?" she asked apologetically. Alpha was the doctor. But Nancia had been rigorously trained in the minor first aid and holding techniques she might expect to need until she could get an ailing brawn or passenger to a clinic; and one thing her instructor had been very, very firm about was the danger of unexpected side-effects from mixing two or more drugs.

"You wanted an expert," Alpha snapped, "you got one. I've got to stabilize his condition before I can treat the superficial lesions and check for internal damage. This should keep him breathing . . . if anything will. We haven't a lot of time to waste, you know."

Quietly, Fassa del Parma slid between Alpha and Sev's unconscious body, now prone on the padded examining bench that slid out of one wall in the narrow medtech chamber. "If the combination is harmless," she said, "try it on me first."

"Don't be silly," Alpha sneered, "you've less than half his body mass. You'll be out of it for two days if I give you the same dose I've prepared for Bryley!"

"Then just use half the stimpad," Fassa suggested. She pulled one sleeve down over her shoulder, exposing an expanse of creamy white skin, naked and vulnerable. "Here. I won't move. But I want to see a demonstration before you stick anything into . . . Sev." She gulped on his name, but otherwise her composure was unbroken.

Nancia, who alone had the luxury of viewing the scene from several angles, thought she saw Sev's eyelids flutter at the sound of Fassa's voice. Neither of the young women noticed; they were too intent on one another. From the door, Micaya Questar-Benn

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