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Brando_ Songs My Mother Taught Me - Marlon Brando [85]

By Root 389 0
My father invested it, but like most misers, he was a poor businessman and lost everything, the equivalent today of about $20 million. Some of the money was spent on bad investments in cattle, but most was squandered on abandoned gold mines, where a slick salesman had convinced him a fortune was waiting to be made by extracting gold ore from the mountains of tailings left behind by earlier generations of miners. My dad was taken in grand style; after investing all of my money, he discovered that the price of gold was too low to make mining the tailings profitable, and so I lost everything. For a long time he hid this from me and wouldn’t admit what he had done; when he did tell me, he blamed it on other people.

35

PARTLY TO RAISE MONEY to finance a film about the UN’s technical-assistance program in Asia, I took a part in The Teahouse of the August Moon, based on a wonderful play by John Patrick, which in turn was based on a novel by Vern Sneider. En route to Tokyo for the filming in the spring of 1956, I made a detour to Southeast Asia to look for story ideas and visited the Philippines, Thailand, Indonesia and several other countries. From afar I’d admired the efforts by the industrialized countries to help poorer nations improve their economies, and thought that this was the way the world ought to work. But I found something quite different; even though colonialism was dying, the industrialized countries were still exploiting the economies of these former colonies. Foreign-aid grants were given mostly for self-serving political purposes, and most Westerners never bothered to learn the language of the Asian countries and lived in hermetically sealed capsules of villas, servants, bourbon, air-conditioned offices, expense-account parties and all-white country clubs. A lot of the foreign-aid officials I met seemed arrogant and condescending, with a smug sense of superiority. Apparently because the United States had more television sets and automobiles, they were convinced that our system was infallible and that they had a God-given mission to impose our way of life on others. I was still unschooled in the ways of the diplomatic world and the hypocrisy of U.S. foreign policy, but I sensed that many of the political leaders we were supporting in these countries were looking out only for themselves and their bank accounts. They lived in palaces while their people lived in huts.

The trip yielded the draft of a script for a movie about the UN assistance program called Tiger on a Kite that was never made, but that in time led to The Ugly American.

Such trips were always among the most appealing reasons for being an actor. The opportunities to meet people and to experience cultures I would never have otherwise balanced some of the negative aspects of my profession. I remember a visit to Bali on that trip with particular affection. It was before large numbers of tourists had invaded the island, so it still had a sweet innocence. I met artisans and artists who worked all day in the rice fields, then came home, took a swim in a river, and taught dancing or worked lovingly on their artwork, and they seemed to lead a marvelous life. Before tourists polluted their culture, Balinese women didn’t wear anything over their breasts, although if you encountered one on a street she usually covered herself up out of courtesy, not that she thought there was anything wrong with being bare-breasted, but as a show of respect. The women had beautiful bodies, and I kept trying to persuade them to be less respectful. Sitting in a stream with my feet braced against a boulder and water splashing over my shoulders, or looking downriver at a group of naked Balinese women bathing, I thought nothing in life could be more pleasant than this. A sailor I met had jumped ship in Bali and had decided to spend the rest of his life there. I understood why. He had learned to speak a rough form of the Balinese language and lived with two beautiful cinnamon-colored girls. A ship’s carpenter skilled as a woodworker, he earned his way by making instruments

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