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Breath, Eyes, Memory - Edwidge Danticat [67]

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snapped back, striking my shoulder. I pulled at it, yanking it from the ground. My palm was bleeding.

The cane cutters stared at me as though I was possessed. The funeral crowd was now standing between the stalks, watching me beat and pound the cane. My grandmother held back the priest as he tried to come for me.

From where she was standing, my grandmother shouted like the women from the market place, "Ou libéré?" Are you free?

Tante Atie echoed her cry, her voice quivering with her sobs.

"Ou libéré!"


There is always a place where women live near trees that, blowing in the wind, sound like music. These women tell stories to their children both to frighten and delight them. These women, they are fluttering lanterns on the hills, the fireflies in the night, the faces that loom over you and recreate the same unspeakable acts that they themselves lived through. There is always a place where nightmares are passed on through generations like heirlooms. Where women like cardinal birds return to look at their own faces in stagnant bodies of water.

I come from a place where breath, eyes, and memory are one, a place from which you carry your past like the hair on your head. Where women return to their children as butterflies or as tears in the eyes of the statues that their daughters pray to. My mother was as brave as stars at dawn. She too was from this place. My mother was like that woman who could never bleed and then could never stop bleeding, the one who gave in to her pain, to live as a butterfly. Yes, my mother was like me.

From the thick of the cane fields, I tried my best to tell her, but the words would not roll off my tongue. My grandmother walked over and put her hand on my shoulder.

"Listen. Listen before it passes. Paròl gin pié zèl. The words can give wings to your feet. There is so much to say, but time has failed you," she said. "There is a place where women are buried in clothes the color of flames, where we drop coffee on the ground for those who went ahead, where the daughter is never fully a woman until her mother has passed on before her. There is always a place where, if you listen closely in the night, you will hear your mother telling a story and at the end of the tale, she will ask you this question: 'Ou libéré?' Are you free, my daughter?"

My grandmother quickly pressed her fingers over my lips.

"Now," she said, "you will know how to answer."

Table of Contents

Cover Page

Title Page

Copyright Page

Table of Contents

One

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Two

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Three

Chapter 15

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Four

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

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