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He lifted a hinged section of the counter and stepped through it, but Sam went on talking. "Trouble is, now you know she can manage fine without you," he said.

Ira paused, still holding up the hinged section.

"She writes a little note of condolence and then continues with her life, as merry as pie," Sam told him.

"What did you expect her to do, throw herself in my grave?" "Well, you got to admit she bore up under her grief mighty well. Writes me a nice little note, sticks a postage stamp in one corner, then carries on with her girlfriend's wedding arrangements.'' "Right," Ira said, and he lowered the counter and came over to Maggie. Was he totally impenetrable? His eyes were flat, and his hand, when he took her arm, was perfectly steady.

"You're wrong," Maggie told Sam.

"Huh?" "I wasn't doing fine without him! I was barely existing." "No need to get all het up about it," Sam said.

"And for your information, there's any number of girls who think he's perfectly wonderful and I am not the only one and also it's ridiculous to say he can't get married. You have no right; anyone can get married if they want to." "He wouldn't dare!" Sam told her. "He's got me and his sisters to think of. You want us all in the poorhouse? Ira? Ira, you wouldn't dare to get married!" "Why not?" Ira asked calmly.

"You've got to think of me and your sisters!" "I'm marrying her anyhow," Ira said.

Then he opened the door and stood back to let Maggie walk through it.

On the stoop outside, they stopped and he put his arms around her and drew her close. She could feel the narrow bones of his chest against her cheek and she heard his heart beating in her ear. His father must have been able to see everything through the plate-glass door, but even so Ira bent his head and kissed her on the lips, a long, warm, searching kiss that turned her knees weak.

Then they started off toward the church, although first there was a minor delay because the hem of her choir robe caught her up short. Ira had to open the door once again (not even glancing at his father) and set her loose.

But to look at Serena's movie, would you guess what had come just before? They seemed an ordinary couple, maybe a bit mismatched as to height. He was too tall and thin and she was too short and plump. Their expressions were grave but they certainly didn't look as if anything earth-shattering had recently taken place. They opened and closed their mouths in silence while the audience sang for them, poking gentle fun, intoning melodramatically. " 'Love is Nature's way of giving, a reason to be living . . .' " Only Maggie knew how Ira's hand had braced the small of her back.

Then the Barley twins leaned into each other and sang the processional, their faces raised like baby birds' faces; and the camera swung from them to Serena all in white. Serena sailed down the aisle with her mother hanging on to her. Funny: From this vantage neither one of them seemed particularly unconventional. Serena stared straight ahead, intent. Anita's makeup was a little too heavy but she could have been anybody's mother, really, anxious-looking and outdated in her tight dress. "Look at you!" someone told Serena, laughing. Meanwhile the audience sang, " 'Though I don't know many words to say . . .' " But then the camera jerked and swooped and there was Max, waiting next to Reverend Connors in front of the altar. One by one, the singers trailed off. Sweet Max, pursing his chapped lips and squinting his blue eyes in an attempt to seem fittingly dignified as he watched Serena approaching. Everything about him had faded except for his freckles, which stood out like metal spangles across his broad cheeks.

Maggie felt tears welling up. Several people blew their noses.

No one, she thought, had suspected back then that it would all turn out to be so serious.

But of course the mood brightened again, because the song went on too long and the couple had to stand in position, with Reverend Connors beaming at them, while the Barley twins wound down. And by the time the