Broca's Brain - Carl Sagan [74]
AUGUSTUS DE MORGAN,
A Budget of Paradoxes (1872)
THROUGHOUT human history there have been attempts to contrive rational arguments to convince skeptics of the existence of a God or gods. But most theologians have held that the ultimate reality of divine beings is a matter for faith alone and is inaccessible to rational endeavor. St. Anselm argued that since we can imagine a perfect being, he must exist—because he would not be perfect without the added perfection of existence. This so-called ontological argument was more or less promptly attacked on two grounds: (1) Can we imagine a completely perfect being? (2) Is it obvious that perfection is augmented by existence? To the modern ear such pious arguments seem to be about words and definitions rather than about external reality.
More familiar is the argument from design, an approach that penetrates deeply into issues of fundamental scientific concern. This argument was admirably summarized by David Hume: “Look round the world: contemplate the whole and every part of it; you will find it to be nothing but one great machine, subdivided into an infinite number of lesser machines.… All these various machines, even their most minute parts, are adjusted to each other with an accuracy which ravishes into admiration all men who have ever contemplated them. The curious adapting of means to ends, throughout all nature, resembles exactly, though it much exceeds, the production of human contrivance; of human design, thought, wisdom, and intelligence. Since therefore the effects resemble each other, we are led to infer, by all the rules of analogy, that the causes also resemble; and that the Author of Nature is somewhat similar to the mind of man; though possessed of much larger faculties proportioned to the grandure of the work which he has executed.”
Hume then goes on to subject this argument, as did Immanuel Kant after him, to a devastating and compelling attack, notwithstanding which the argument from design continued to be immensely popular—as, for example, in the works of William Paley—through the early nineteenth century. A typical passage by Paley goes: “There cannot be a design without a designer; contrivance without a contrivor; order without choice; arrangement without anything capable of arranging; subserviency and relation to a purpose, without that which could intend a purpose; means suitable to an end, and executing their office and accomplishing that end, without the end ever having been contemplated, or the means accommodated to it. Arrangement, disposition of parts, subserviency of means to an end, relation of instruments to a use, imply the presence of intelligence and mind.”
It was not until the development of modern science, but most particularly the brilliant formulation of the theory of evolution by natural selection, put forth by Charles Darwin and Alfred Russel Wallace in 1859, that these apparently plausible arguments were fatally undermined.
There can, of course, be no disproof of the existence of God—particularly a sufficiently subtle God. But it is a kindness neither to science nor religion to leave unchallenged inadequate arguments for the existence of God. Moreover, debates on such questions are good fun, and at the very least, hone the mind for useful work. Not much of this sort of disputation is in evidence today, perhaps because new arguments for the existence of God which can be understood at all are exceedingly rare. One recent and modern version of the argument from design was kindly sent to me by its author, perhaps to secure constructive criticism.
NORMAN BLOOM is a contemporary American who incidentally believes himself to be the Second Coming of Jesus Christ. Bloom observes in Scripture and everyday life numerical coincidences which anyone else would consider meaningless. But there are so many such coincidences that, Bloom believes, they can be due only to an unseen intelligence, and the fact that no one else seems to be able to find or appreciate such coincidences convinces