Cabin_ Two Brothers, a Dream, and Five Acres in Maine - Lou Ureneck [17]
I decided I would not bring power up from the road. I would let Central Maine Power Co.’s lines pass by without planting poles on the hillside or stringing a cable through the trees. Maybe I would admit a portable radio to listen to a ball game on a summer evening. I liked the way a baseball game called on the radio collapsed the universe down to a ball, a bat, nine leather gloves and one person’s knowledgeable commentary. I had noticed one day while driving to the hillside that a ball game heard over the radio slowed my breathing, maybe even reduced my heart rate—not a bad thing for a guy with my medical history. A small radio would be a good addition to a cabin. The Internet—well, that was an open question. I liked being able to search for a good curry recipe or refresh my memory on the definition of the categorical imperative, but the Web would be a temptation to distraction and pointless stimulation. I preferred books and the company of humans, occupying their bodies and holding glasses of Scotch in their hands. I was not seeking a virtual experience. In a pinch, I could always drive to the town hall and use my laptop to poach the Internet signal in the parking lot.
Of course all this asceticism and roughing it was environmental ideology, pure and simple, and not all of it intellectually consistent. It surely was not cabin construction. I hadn’t yet lifted a hammer or bought a nail. But it was a necessary step, I think, and a pleasant one. A cabin is a courtship and not an elopement. Through this period, in that first winter, I was filled with the agreeable feeling of anticipating a cabin—the contemplation of assembling and inhabiting it—and not of making any final decisions about the specific details of shape, size and pitch, nor of actual work. Of course, many details passed through my mind, but I was trying them on casually without making decisions. It was the infatuation stage of cabin construction. It was enough for me to sit (or lie) down with the idea of a cabin, to own it and enjoy it, anticipation being the purest pleasure.
But as winter ran down and infatuation matured into intention, I began to feel the need to order my ideas about the cabin’s design and get serious about the practical aspects of this big project. I already had sunk $32,000 into it—serious money for me. Despite the deep snow, I was impatient to do something, anything to get started. I took out a yellow legal pad and began a list of tools I would need: framing hammer, finishing hammer, circular saw, wood chisels, mallet, combination and roofing squares, chalk line, nail apron, tape measure, carpenter’s pencils, cat’s paw, drill, wood bits, four-foot level. I browsed antique tool catalogs and wandered the aisles of Home Depot. With scissors and Scotch tape, I built a cardboard model of a cabin, drew in the windows and wondered if winter would ever end.
I was not unfamiliar with cabins, having had a lifelong love affair with the outdoors, and no doubt each of the cabins from my past would inform the one I was about to build. These earlier cabins had contributed to my sense of what made a cabin a cabin, in an ideal Platonic sense, and at some below-conscious level I was probably running through the ontogeny of my cabin experiences, in literature and life, as I planned this one. This project was, after all, partly personal archaeology—the search for an earlier and happier self.
I had