Cambridge Blue - Alison Bruce [34]
He was now close enough to recognize that the constable standing in the doorway was Kelly Wilkes. She smiled in greeting, stepping forward and to one side as he came within a few feet of her.
‘Who’s here?’ he asked.
‘Just a couple of forensics guys and Kincaide.’
‘He’s the only one?’
‘Uh-huh. DI Marks was here earlier, but left Kincaide and DC Charles to finish off. Then, about twenty minutes ago, Charles said he was off too. I think they’ve pretty much finished.’
‘That’s fast going,’ he commented as he stepped through the door. ‘Must be a small flat.’
The hall had a floor laid with the familiar year-dot dark-red tiles, interspersed with black and white diamonds, and a few in cobalt blue for contrast. Four pairs of shoes had been bagged and left at the bottom of the stairs, which, beneath the protective plastic laid down by the forensics team, were carpeted. He ascended the centre of the flight, carefully avoiding touching either wall. Above him, the landing was partially visible, the banisters blocked in behind hardboard panels, but still low enough for someone to look over them to find out who was approaching. On this occasion, no one did.
A single unlit bulb, decorated with hand-painted swirls, hung from an overhead light fitting, and if that counted as an artistic touch, it was the only one. Immediately beside the top step stood a small dark-wood table. Goodhew’s attention settled on it for a moment before being diverted by the sound of Kincaide’s voice. But he had looked just long enough to see that the post contained nothing more than a few advertising brochures.
Kincaide stood close to the top of the stairs. ‘That stuff was on the mat when we arrived, so at least we know she left before the post came.’
Goodhew looked past him into the flat itself, noticing that the curtains were drawn shut and the lights were on. ‘How’s it going?’
Kincaide shrugged. ‘Just about wrapping it up. There’s not much left to do here.’
The living room was a reasonable size, and furnished with a few well-chosen items, mainly in pine. Both the chest of drawers and the bookcase looked like they’d been bought from local antique dealers, and the soft furnishings from a shop which specialized in neither cheap nor cheerful. Somehow he knew they weren’t Lorna’s own. By contrast, the television, mirror and a frame containing dried flowers had all arrived on a much more modest budget and looked pack-up-and-go convenient. One remote control, two pens, and a box of tissues were the most clutter she’d left lying around. Perhaps she’d been hooked on those sell-your-home shows which preach depersonalizing your living space – anyhow, it wasn’t hard to see why the police search hadn’t taken long.
Kincaide had now moved on, and Goodhew found him adding Lorna’s bedding to the inventory of items being removed.
‘I guess she rented?’
‘Guess so,’ Kincaide grunted. ‘Haven’t got that far yet, but who can afford to buy a place here, in the centre?’ He glanced up, raised an eyebrow, and added pointedly, ‘Don’t even know who can afford to even rent in this town; you’d have to be lucky enough to have it in the family.’
Goodhew ignored the personal dig. ‘Nice bed.’ It was a king-size, with an asymmetric headboard composed of wrought-iron gothic scrolls. Nice wasn’t the right word for it; more like quirky with a touch of the Gaudi-esque.
‘You serious?’ Kincaide looked from Goodhew to the bed and back again, clearly unsure whether he was being had.
‘Absolutely.’
‘Really? I think it looks tacky, like some shitty art college project.’ Kincaide couldn’t wipe the grimace of distaste from his face, in fact he made no attempt to. ‘It looks dodgy to me. Pervy in fact. And hideous.’
Kincaide wandered off again, but Goodhew stayed behind to study the curves of the metal, trying to see it the same way Kincaide obviously had. He found himself pulling that same expression, but still didn’t understand what there was not to like.
Finally, he walked over to the window and lifted