Candle in the Darkness - Lynn N. Austin [89]
At last Gilbert rolled our carriage to a halt beneath the porte cochere. “All right, Tessie,” I said with a sigh. “Let’s go.”
She stared at me as if I’d lost my mind. “Now, you know I ain’t allowed to go waltzing through that door with you. You seeing any of them other fine ladies waltzing in there with their mammies? Door I use is around back.”
She was right, of course. While many of the ladies had brought along one or two of their maidservants, and some had even brought their Negro seamstresses to help, the slaves gathered at the rear servants’ entrance, not the grand foyer.
The inequity added to my feelings of guilt. I already felt bad for asking Tessie to come and ashamed for being here myself. By helping the Confederacy, it was as though I was helping Tessie and the others remain slaves. I had criticized Jonathan for taking Josiah with him, but wasn’t I doing the same thing?
Jeremiah, the St. Johns’ porter, opened my carriage door and stood waiting to help me down. A half-dozen carriages stood in line behind mine. “Go on, honey,” Tessie whispered. “I see you inside.”
I buried my feelings behind a false smile and walked into the house with the other women. In their brightly colored outfits and billowing hoop skirts, they reminded me of a bouquet of multicolored asters and chrysanthemums. You would never guess from this fashionable display of summer dresses and flowered hats that the price of cloth had skyrocketed due to the blockade, or that new straw hats could scarcely be found at any price. Sally wore the most expensive dress of all. Made from plaid silk, it required several more yards of material than a plain fabric would because the plaid on all the seams had to be matched. I had the urge to shake her—to shake all of these women. Was I the only one who saw that our lives would never be the same?
Mrs. St. John herded us all into her huge drawing room, and at least the changes in our lives were more evident in there. The furniture had been rearranged, transforming the room into a workshop, with every belle and society matron transformed into a seamstress. Those who owned sewing machines had brought them, and the clatter and whir of treadles and gears served as background music.
Nearly every woman, including myself, wore a chatelaine fastened to her waist, carrying her needles, scissors, thimble, and measuring tape. But few of us had ever done more than simple embroidery work, hemstitching, or needlepoint, and our delicate fingers weren’t accustomed to pushing needles through heavy wool uniform jackets and trousers. I began with the relatively easy task of binding buttonholes and sewing on buttons, but even so, my fingertips were roughened by dozens of pinpricks by the end of the afternoon. In the weeks ahead, our hands as well as our fingers would be stiff and bleeding from stitching through heavy sailcloth as we sewed tents and overcoats.
The women talked of nothing but war, thought of nothing but war. Every one of them had a loved one in uniform—a husband, a father, a brother, a son, a sweetheart. As I listened to them talking about how difficult it was to be separated from them, I glanced down at Tessie, sewing quietly on a stool beside me. She had suffered this pain nearly all her life—separated from her parents, from her husband, from her son. What right did all of us privileged ladies have to discuss our current experiences as if they were unique when beside us sat slave women who had known this aching sorrow for many years?
“I admit that I’ve led a spoiled life,” Sally said, entering the conversation. “I never