Caprice and Rondo - Dorothy Dunnett [7]
Like Pagano Doria, like Nicholas himself, Primaflora is a “modern” type, a talented and alienated “self-made” person. Unlike the other two, Nicholas has the memory of family in which to ground a wary, half-reluctant, but genuine adult existence in the community. At the same time, however, he avoids close relationships: he has established the Bank of Niccolò as a company, not a family. But, resisting and insisting, the members of the company forge bonds of varying intimacy with Nicholas, especially the priest Godscalc and the physician Tobie, who alone at this point know the secret of Katelina’s baby and carry the dying woman’s written affirmation of Nicholas’ paternity.
Nicholas’ only true intimate, however, is a man of a different race entirely, the African who came to Bruges as a slave and was befriended by the servant Claes, who first communicated the secret of the alum deposit, who traveled with him to Trebizond to run the trading household, and to Cyprus to organize and under Nicholas reinvent the sugar industry there. His African name is as yet unknown, his Portuguese name is Lopez, his company name Loppe. Now a major figure in the company, and the family, he listens at the end of the novel as both Nicholas and his new rival, the broker of the mysterious Vatachino company, look to the Gold Coast of Africa as the next place of questing and testing.
VOLUME IV: Scales of Gold
For those who know the truth, the deaths of Katelina, Tristão, and Tzanibey, the brutal forging of a new monarchy for Cyprus, even Nicholas’ alienation from and reconciliation with young Diniz, have stemmed from honorable, even noble motives. But gossip in Europe, fed by de Ribérac and St Pol, puts a more sinister stamp on these events. Under financial attack by the Genoese firm of Vatachino, the Bank of Niccolò undertakes a commercial expedition to Africa, which young Diniz Vasquez joins partly as an act of faith in Nicholas, while Gelis van Borselen, Katelina’s bitter and beautiful sister, joins to prove him the profit-mongering amoralist she believes him to be. They are accompanied by Diniz’ mother’s companion Bel of Cuthilgurdy, a valiant and razor-tongued Scottish matron who comes to guide the young man and woman and ends up dispensing wisdom and healing to all; by Father Godscalc, who desires to prove his own faith by taking the Cross through East Africa to the fabled Ethiopia of Prester John; and by Lopez, whose designs are the most complex of all. Through Madeira to the Gambia and into the interior they journey, facing and eventually outfacing the competition of the Vatachino and Simon de St Pol.
Like everyone but the Africans, both companies have underestimated even the size, let alone the cultural and religious complexity, of Africa: no travelers in this age can reach Ethiopia from the East, and the profits from the voyages of discovery and commerce recently begun by Prince Henry the Navigator are as yet mainly knowledge, and self-knowledge. There is gold in the Gambia, and there is a trade in black human beings which is, as Lopez is concerned to demonstrate, just beginning to take the shape that will constitute one of the supreme flaws of the civilization of the West. There is also, up the Joliba floodplain, the metropolis of Timbuktu, commercial and psychological “terminus,” and Islamic cultural center, in which Diniz finds his manhood and Lopez regains his original identity as the jurist and scholar Umar; where Gelis consummates with Nicholas the supreme relationship of her life, hardly able as yet to distinguish whether its essence is love or hatred.
On this journey, Godscalc the Christian priest and Umar the Islamic scholar both function as soul friends to Nicholas, prodding him through extremities of activity and meditation that finally draw the sting, as it appears, from the old wounds of family.