Carlo Ancelotti_ The Beautiful Games of an Ordinary Genius - Alessandro Alciato [1]
Carletto and I have always had a comfortable and close working relationship. We’ve always talked about everything. Whenever he loses his temper, he unfailingly comes to me afterward and asks: “Paolo, was I wrong?”
Carlo never wants to do everything on his own. It’s a sign of his considerable intelligence. And that’s why he can win wherever he goes: at A. C. Milan, at Chelsea, at Real Madrid—anywhere. His knowledge of soccer is global, enormous. He has mind-boggling experience of every aspect of the game. Even as a player he was an outstanding organizer—of the game and of ideas. You can’t really criticize him, either in technical or human terms: if you do, you’re not being fair. At A. C. Milan, from the times of Arrigo Sacchi on, we’ve had lots of coaches, nearly all of them winners, but each of them managed the group in his own manner. Leaving aside the question of methods and results, if I were asked who brought the highest quality of life in those years, I’d absolutely have to say it was Carletto. Before he came to Milanello he was fairly rigid, less open to tactical innovation; but over time, he grew. He evolved. And we evolved with him, because you need to give a man like that players who know enough not to take advantage of him. Underlying everything that we did was a reciprocal trust. Over the years, there have been people who took advantage of the situation, but we were quick to make sure they understood how to behave. In particular, we explained to them that they had to respect Carletto, always, no matter what. Because of the magical soccer he seems to be able to conjure up. For the way he talks to his team. For the way he behaves off the field. And for the words he wrote in this book, where he has told the story of his life, and of himself, without keeping any secrets.
People have described him in a thousand different ways. For me, quite simply, he is a friend. A big, easygoing friend. And I miss him.
Paolo Maldini
CHAPTER 1
The Story of the Steak that Couldn’t Sing
Only once in my life have I felt like I needed a psychiatrist. I was looking at Yuri Zhirkov, but all I could see was a rib-eye steak. Perfectly grilled, juicy, smoking, medium rare. I looked him in the eye and suddenly I was starving. Which is nothing new, really. Meat, fish, red wine, Coca Cola, salami, mortadella, romano cheese, a chunk of gorgonzola, fish and chips, layer cake, an after dinner drink, spaghetti, bowties, pesto, Bolognese sauce, a rack of ribs, veal stew, antipasto, appetizers, entrées, dessert, and even—this one time, in a shrine to nouvelle cuisine