Carved in Bone - Jefferson Bass [0]
Jefferson Bass
To the faculty, staff, and graduate students of
the University of Tennessee’s Anthropology
Department, who made the Body Farm possible…
and to Patricia Cornwell, who made it famous
Contents
PROLOGUE
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
CHAPTER 23
CHAPTER 24
CHAPTER 25
CHAPTER 26
CHAPTER 27
CHAPTER 28
CHAPTER 29
CHAPTER 30
CHAPTER 31
CHAPTER 32
CHAPTER 33
CHAPTER 34
CHAPTER 35
CHAPTER 36
CHAPTER 37
CHAPTER 38
CHAPTER 39
EPILOGUE
ACKNOWLEDGMENTS
ABOUT THE AUTHOR
CREDITS
An Excerpt from The Bone Yard
Copyright
Cover
Chapter 7
COPYRIGHT
ABOUT THE PUBLISHER
PROLOGUE
I PICKED UP THE hunting knife with my left hand and tested its heft, then shifted it to my right hand to compare. Golfing and batting, I’m a lefty, but I grade papers and dial phone numbers with my right. The knife felt more at home there, too. Okay, I thought, add “stabbing” to the list of right-handed activities.
The nude man lay facedown in the woods, the Tennessee sun filtering through the trees and dappling his back. Kneeling beside him, I slid my left thumb along his spine, feeling for the gap between his fourth and fifth ribs, just behind the lower chambers of the heart. Having found the spot, I set the tip of the hunting knife there—it snagged in the soft flesh—then leaned in and began to push. It took more force than I’d expected, and I found myself using both hands, plus some weight. Once the blade was deep into the muscle tissue, I cocked the handle to the left, skewing the blade in the opposite direction, toward the man’s spine. It wasn’t angling as sharply as I wanted, so I leaned harder. Still no go. I sat back and considered whether there might be some other angle of attack that would land the tip of the blade in his right lung. As I contemplated the weapon jutting from the bare back, a black-and-white SUV, blue lights strobing, roared up and slid to a stop on a concrete slab in front of me. A young deputy leapt out, his eyes wild and his face a battleground of warring impulses.
I held up my left hand, keeping a tight grip on the knife with my right. “You reckon you could hang on for just one second?” I asked. “I’m not quite done with this.” Grunting with the effort, I gave the handle one final sideways shove and bore down with all my weight. As my victim jerked and skidded from the force, a rib broke with the sound of a green tree branch splintering. The deputy fainted dead away, his fall cushioned by the corpse I knelt beside.
CHAPTER 1
FIVE MINUTES HAD PASSED since the deputy’s eyelids first fluttered open, and he still hadn’t spoken, so I figured maybe it was up to me to break the ice. “I’m Dr. Brockton, but I expect you know that,” I said. He nodded weakly. According to the bar of brass on his chest, his name was Williams. “This your first visit to the Body Farm, Deputy Williams?” He nodded again.
“Body Farm” wasn’t my facility’s real name, but the nickname—coined by a local FBI agent and given title billing in a bestselling crime novel by Patricia Cornwell—seemed to have stuck. Cornwell set only a brief scene of the novel at my postmortem-decay research lab at the University of Tennessee, but that one scene—along with the facility’s catchy nickname and macabre mission—must have been enough. As soon as the book hit the shelves, the phone started ringing and the media descended in droves. The upshot is, millions of people know about the Body Farm, though few of them know its boring but official name: the Anthropology Research Facility. Unlike some of my colleagues, I don’t care which name people use. To paraphrase Shakespeare, a Body Farm by any other name would still stink.
A lot of people wonder what an anthropologist is doing with dozens of rotting human corpses scattered across (and beneath) three acres of Tennessee woods.