Cat & Mouse - James Patterson [44]
He met an advertising art director, a creative director in a large ad factory on Lexington Avenue. Jean Summerhill was originally from Atlanta, she told him. She was small and very slim, with blond hair, lots of it. She wore a single trendy braid down one side, and he could tell she was full of herself. In an odd way, she reminded him of his Meredith, his Missy. Jean Summerhill had her own place, a condo. She lived alone, in the Seventies.
She was too pretty to be in here alone, looking for company in all the wrong places, but Soneji understood why once they’d talked: Jean Summerhill was too smart, too strong and individualistic for most men. She scared men off without meaning to, or even knowing that she had.
She didn’t scare him, though. They talked easily, the way strangers sometimes do at a bar. Nothing to lose, nothing to risk. She was very down-to-earth. A woman with a need to be seen as “nice”; unlucky in love, though. He told her that and, since it was what she wanted to hear, Jean Summerhill seemed to believe him.
“You’re easy to talk to,” she said over their third or fourth drink. “You’re very calm. Centered, right?”
“Yeah, I am a little boring,” Soneji said. He knew he was anything but that. “Maybe that’s why my wife left me. Missy fell for a rich man, her boss on Wall Street. We both cried the night that she told me. Now she lives in a big apartment over on Beekman Place. Real fancy digs.” He smiled. “We’re still friends. I just saw Missy recently.”
Jean looked into his eyes. There was something sad about the look. “You know what I like about you,” she said, “it’s that you’re not afraid of me.”
Gary Soneji smiled. “No, I guess I’m not.”
“And I’m not afraid of you either,” Jean Summerhill whispered.
“That’s the way it should be,” Soneji said. “Just don’t lose your head over me. Promise?”
“I’ll do my best.”
The two of them left Tatou and went to her condo together.
CHAPTER 46
I STOOD all alone on Forty-second Street in Manhattan, anxiously waiting for Carmine Groza to show. The homicide detective finally picked me up at the front entrance of the Marriott. I jumped into his car and we headed to Brooklyn. Something good had finally happened on the case, something promising.
Shareef Thomas had been spotted at a crackhouse in the Bedford-Stuyvesant section of Brooklyn. Did Gary Soneji know where Thomas was, too? How much, if anything, had he learned from Manning Goldman’s computer files?
At seven on Saturday morning, traffic in the city was a joy to behold. We raced west to east across Manhattan in less than ten minutes. We crossed the East River on the Brooklyn Bridge. The sun was just coming up over a group of tall apartment buildings. It was a blinding yellow fireball that gave me an instant headache.
We arrived in Bed-Stuy a little before seven-thirty. I’d heard of the Brooklyn neighborhood and its tough reputation. It was mostly deserted at that time of the morning. Racist cops in D.C. have a nasty way of describing this kind of inner-city area. They call them “self-cleaning ovens.” You just close the door and let it clean itself. Let it burn. Nana Mama has another word for America’s mostly neglectful social programs for the inner cities: genocide.
The local bodega had a handpainted sign scrawled in red letters on yellow: FIRST STREET DELI AND TOBACCO, OPEN 24 HOURS. The store was closed. So much for the sign.
Parked in front of the deserted deli was a maroon-and-tan van. The vehicle had silver-tinted windows and a “moonlight over Miami” scene painted on the side panels. A lone female addict slogged along in a knock-kneed swaying walk. She was the only person on the street when we arrived.
The building that Shareef Thomas was in turned out to be two-storied, with faded gray shingles and some broken windows. It looked as if it had been condemned a long time ago. Thomas was still inside the crackhouse. Groza and I settled in to wait. We were hoping Gary Soneji might show up.