Cat O'Nine Tales and Other Stories - Jeffrey Archer [40]
Away fixtures suited Max best, as they allowed him the opportunity to meet eleven potential new victims. Kennington Village XI was no exception. By the time his lordship had joined the two teams for tea in the pavilion, Max had wormed out of the local umpire the history of the Kennington Set, including the provision in the will that whichever son came up with the missing red king would automatically inherit the complete set.
Max boldly asked his lordship, while devouring a portion of Victoria sponge, if he might be allowed to view the Kennington Set, as he was fascinated by the game of chess. Lord Kennington was only too happy to invite a man with such an effortless cover drive into his drawing room. The moment Max spotted the empty square, a plan began to form in his mind. A few well-planted questions were indiscreetly answered by his host. Max avoided making any reference to his lordship’s brother, or the clause in the will. He then spent the rest of the afternoon at square leg, refining his plan. He dropped two catches.
When the match was over, Max declined an invitation to join the rest of the team at the village pub, explaining that he had urgent business in London.
Moments after arriving back at his flat in Hammersmith, Max phoned an old lag he’d shared a pad with when he’d been locked up in a previous establishment. The former inmate assured Max that he could deliver, but it would take him about a month and “would cost ‘im.”
Max chose a Sunday afternoon to return to Kennington Hall and continue his research. He left his ancient MG—soon to become a collectors item, he tried to convince himself—in the visitors’ carpark. He followed signs to the front door, where he handed over five pounds in exchange for an entrance ticket. Maintenance and running costs had once again made it necessary for the Hall to be opened to the public at weekends.
Max walked purposefully down a long corridor adorned with ancestral portraits painted by such luminaries as Romney, Gainsborough, Lely and Stubbs. Each would have fetched a fortune on the open market, but Max’s eyes were set on a far smaller object, currently residing in the Long Gallery.
When Max entered the room that displayed the Kennington Set, he found the masterpiece surrounded by an attentive group of visitors who were being addressed by a tour guide. Max stood at the back of the crowd and listened to a tale he knew only too well. He waited patiently for the group to move on to the dining room and admire the family silver.
“Several pieces were captured at the time of the Armada,” the tour guide intoned as the group followed him into an adjoining room.
Max looked back down the corridor to check that the next group was not about to descend upon him. He placed a hand in his pocket and withdrew the red king. Other than the color, the intricately carved piece was identical in every detail to the white king standing on the opposite side of the board. Max knew the counterfeit would not pass a carbon-dating test, but he was satisfied that he was in possession of a perfect copy. He left Kennington Hall a few minutes later, and drove back to London.
Max’s next problem was to decide which city would have the most relaxed security to carry out his coup: London, Washington or Peking. The People’s Palace in Peking won by a short head. However, when it came to considering the cost of the whole exercise, the British Museum was the only horse left in the race. But what finally tipped the balance for Max was the thought of spending the next five years locked up in a Chinese jail, an American penitentiary, or residing at an open prison in the east of England. England won in a canter.
The following morning Max visited the British Museum for the first time in his life. The lady seated behind the information desk directed him to the back of the ground floor, where the Chinese collection is housed.
Max discovered that hundreds of Chinese artifacts occupied the fifteen rooms, and it took him